What was Tatyana's mother's name, Larina? Quotes. Full name, shortened and affectionate

Drawing in his novel the image of a simple Russian girl, not very beautiful, with a common name, the poet, both in characterizing her mental makeup and in depicting her behavior, does not at all embellish or idealize her. Tatyana grows up in a family as a lonely girl who does not like to play with her friends; for the most part she is immersed in herself, in her experiences:

She is in her own family

The girl seemed like a stranger.

She used to judge people and life by the novels she read:

She liked novels early on;

They replaced everything for her.

In them she looked for correspondence to her experiences and therefore:

She fell in love with deceptions

Both Richardson and Russo.

Tatyana thus created in her imagination the image of a lover, unlike others, mysterious. This is exactly how Onegin appeared in her eyes.

Tatyana is close to Russian nature:

She loved on the balcony

Warn the dawn,

When on a pale sky

The round dance of the stars disappears.

The attitude towards nature helps to further reveal the character of the heroine. She is naturally gifted:

With a rebellious imagination,

Alive in mind and will,

And wayward head,

And with a fiery and tender heart.

This makes her stand out among the landowners and secular society. Tatyana dreamed of a person who would bring meaning and high content into her life, but love brought Tatyana only disappointment and suffering. Being a “legislator of the hall” in St. Petersburg, she retained her spontaneity and sincerity. So, she declares to Onegin:

Now I'm glad to give

All this rags of a masquerade,

All this shine, and noise, and fumes

For a shelf of books, for a wild garden,

For our poor home.

Tatyana's spiritual qualities are revealed even deeper in the scene of her last meeting with Onegin: loyalty to duty prevails over her feelings:

I got married. You must,

I ask you to leave me;

I know: in your heart there is

And pride, and direct honor.

I love you (why lie?),

But I was given to another;

I will be faithful to him forever.

The images of Olga and Tatyana Larina’s mother are also typical. The author's attitude towards them is ambivalent. On the one hand, the Larin family, where the mother played the main role, is hospitable, simple, hospitable, cordial, on the other hand, mother Larina is a serf-owner who “discovered the secret of how to autocratically rule a spouse,” and Olga quickly forgets the murdered Lensky, having married passing lancer.

Tatyana's mother went through the typical path of a girl of her time: from a society girl to the wife of a village landowner. She was married off “without asking her advice.” She “was torn and cried at first,” then “she took up housekeeping,” she got used to it and “became content”:

Habit assuaged grief.

She led the life of a typical Russian lady:

Shaved foreheads

I went to the bathhouse on Saturdays,

She beat the maids in anger -

All this without asking my husband.

But at the same time, she is the keeper of the “habits of dear old times”, so dear to the author:

At their Shrovetide

There were Russian pancakes;

They fasted twice a year.

Also, with a certain amount of irony, the image of Olga is drawn. Pushkin draws a portrait of a beauty:

Always cheerful like the morning,

How a poet's life is simple-minded,

How sweet is love's kiss;

Eyes like the sky are blue,

Smile, flaxen curls,

It's all about Olga...

But any novel

Take it and you will find it, right,

Her portrait: he is very nice;

I used to love him myself,

But he bored me immensely.

“Olga didn’t cry for long” after Lensky’s death. The author condemns this inconstancy of Olga:

Alas! Young bride

Her sadness is unfaithful.

Another caught her attention...

Ulan knew how to captivate her.

The novel also contains images of other representatives of the fair sex: daughters of provincial landowners, who were “pretended to be a half-Russian neighbor.” The Moscow “bride fair” is also depicted satirically. Particularly noteworthy is the image of nanny Filipyevna, who played a big role in shaping Tatiana’s spiritual world.

Female images play a large role in the novel. They help to further reveal the images of Onegin and Lensky, the author, who is also a full-fledged hero of the novel. In addition, female images have a completely independent meaning. They complement “the picture of Russian society taken at one of the most interesting moments in its development.”

Tatyana is not the only female character in the novel, but thanks to the strength and depth of her nature, this image comes to the fore in the work and the entire system of female images is built around it. In the contrast and comparison of Tatiana with her mother, sister, Moscow princess Alina and nanny, two main themes and antitheses of the novel are revealed: “National and European”, “City and Country”. To form a character like Tatyana Larina’s, family influence is not enough. To do this, the basis of a person must be distinguished by exceptional, individual qualities. And the author emphasizes this by introducing another female character - Tatyana’s sister Olga.

Always modest, always obedient,

Always cheerful like the morning,

How a poet's life is simple-minded,

How sweet is the kiss of love... –

such is the easy character of sister Tatyana. Olga is natural and “playful,” but in general she is too ordinary and superficial: she favorably accepts Lensky’s advances, but at the same time, without hesitation, flirts with Onegin, which subsequently leads to the death of her fiancé, whom she does not mourn for long:

Another caught her attention

Another managed her suffering

To lull you to sleep with loving flattery,

Ulan knew how to captivate her

Ulan loved her with his soul...

And even when she “loves,” all her love is expressed in a smile. “Encouraged by Olga’s smile,” is the only thing that allows Lensky to feel Olga’s reciprocal love. Her ordinaryness and mediocrity are emphasized by the portrait:

Eyes like the sky blue;

Smile, flaxen curls,

Tatyana is completely opposed to Olga; by comparing the two sisters in the novel, the poet emphasizes the depth of Tatyana’s character, her originality and seriousness. A comparison of her with the nanny and an analysis of their relationship shows their spiritual closeness, the closeness of a noblewoman and a peasant woman, but at the same time indicates their differences.

Tatyana tries to talk with the nanny as with the person closest to her about her love, about her feelings, but the nanny simply does not understand her. On the one hand, this is evidence of Tatyana’s excessive passion for romantic dreams. But on the other hand, their dialogue demonstrates the difference between the nobility and the peasantry in general.

As researcher Yu.M. showed. Lotman, in his comments to the novel, Tatyana and the nanny put fundamentally different meanings into the word “love”: for Tatyana it is a high romantic feeling, but for a simple peasant woman it is sinful love for a man.

The comparison of female images plays a big role not only in outlining the characters, but also in revealing important themes of the novel: “City and Country”, “National and European”. This goal is achieved through obvious and hidden contrasts between characters. This is how Tatyana and Olga are compared. Tatyana is undoubtedly a national heroine. She is “Russian in soul,” according to Pushkin; loves the nature of Russia, its traditions and folklore. Olga has nothing to do with the national theme in the novel. At least indirectly, the author emphasizes her “foreignness”: she has a “district young lady’s album” in the French style, her fiancé is a young man divorced from reality who studied in Germany and was considered a “half-Russian neighbor” in the village. She is indifferent to nature, and not a word is said about her attitude to the common people, although obviously she was also raised by a nanny.

The mother of the Larin sisters is also contrasted with herself, only with the young Moscow young lady, and clearly not in favor of the latter. The author's position on the question of what is better: national or European can be judged by the poet's assessment of individual characters. Tatiana is his “sweet ideal,” and her mother is much happier being a Russian landowner than if she had remained in the village as a “Moscow young lady.”

The image of Tatyana’s mother also works to reveal the theme “City and Countryside”. In the village of Praskovya, Larina has a family, takes care of the house, and her Moscow cousin Alina, having not changed a bit (when they meet, the latter almost immediately begins to talk about a mutual friend Larina has long forgotten), apparently has no family and, even more so, her business, which clearly does not benefit the city resident.

The same idea is confirmed when comparing Tatiana and Moscow young ladies, Tatiana and St. Petersburg beauties. Tatyana, with her reading of books, love of nature and seriousness of character, seems an order of magnitude higher than the inhabitants of the capital, even such brilliant ones as “Cleopatra of the Neva” Nina Voronskaya. What can we say about Moscow girls who are only busy with

they believe in a chant

Secrets of the heart, secrets of virgins,

Others' and your own victories,

Hopes, pranks, dreams.

But still, it is impossible to categorically judge what is better or worse for Pushkin, since the system of female images is only one of the tools for expressing the author’s thoughts, and “Eugene Onegin” is a multifaceted, complex and ambiguous work.

In the novel “Eugene Onegin,” Pushkin placed a strong female image at the center, focusing on him the solution of the main moral and philosophical problems, and endowed his heroine with national, Russian traits. The poet's innovation had a huge impact on the literature of the entire 19th century and laid the foundation for the tradition of realism in Russia, determined the features of the creation of female images and their specific role in the works of subsequent Russian writers. And of course, one can only agree with the words of Belinsky, who said: “Almost the entire feat of the poet is that he was the first to poetically reproduce a Russian woman in the person of Tatyana.”

Tatyana Larina's passionate monologue about her feelings for a young rake is part of the compulsory school curriculum. Memorizing lines about first love and impulses of the soul, it is easy to grasp the courage and openness that is so uncharacteristic of the young ladies of the century before last. This is what distinguishes Tatyana from most literary images - naturalness and loyalty to ideals.

History of creation

The poetic novel, which was considered a feat, was first published in 1833. But readers have been following the life and love affairs of the young reveler since 1825. Initially, “Eugene Onegin” was published in literary almanacs one chapter at a time - a sort of 19th-century series.

In addition to the main character, Tatyana Larina, a rejected lover, attracted attention. The writer did not hide the fact that the female character in the novel was based on a real woman, but the name of the prototype is not mentioned anywhere.

Researchers put forward several theories about the alleged muse of Alexander Sergeevich. First of all, Anna Petrovna Kern is mentioned. But the writer had a carnal interest in the woman, which differs from the author’s attitude towards sweet Tatyana Larina. Pushkin considered the girl from the novel to be a beautiful and gentle creature, but not an object of passionate desire.


The heroine of the novel has common features with Elizaveta Vorontsova. Historians believe that the portrait of Onegin was painted by an admirer of Countess Raevsky. Therefore, the role of literary lover went to Elizabeth. Another weighty argument is that Vorontsova’s mother, like Larina’s mother, married someone she didn’t love and suffered for a long time from such injustice.

Twice the wife of the Decembrist, Natalya Fonvizina, claimed that she was the prototype of Tatyana. Pushkin was friends with Natalya’s husband and often communicated with the woman, but there is no other evidence to support this theory. The poet’s school friend believed that the writer put into Tatyana a piece of his own hidden traits and feelings.


Unkind reviews and criticism of the novel did not affect the image of the main character. On the contrary, most literary scholars and researchers note the integrity of the character. calls Larina “the apotheosis of the Russian woman”, speaks of Tatyana as “a genius nature, unaware of her genius.”

Of course, “Eugene Onegin” shows Pushkin’s female ideal. Before us is an image that does not leave anyone indifferent, delights with its inner beauty and illuminates the bright feelings of a young, innocent young lady.

Biography

Tatyana Dmitrievna was born into a military family, a nobleman who, after his service, moved to the countryside. The girl's father died several years before the events described. Tatyana was left in the care of her mother and old nanny.


The girl's exact height and weight are not mentioned in the novel, but the author hints that Tatyana was not attractive:

“So, she was called Tatyana.
Not your sister's beauty,
Nor the freshness of her ruddy
She wouldn’t attract anyone’s eyes.”

Pushkin does not mention the heroine’s age, but, according to literary scholars, Tanya recently turned 17 years old. This is confirmed by the poet’s letter to a close friend, in which Alexander Sergeevich shares his thoughts about the girl’s emotional impulse:

“...if, however, the meaning is not entirely accurate, then even more so is the truth in the letter; a letter from a woman, 17 years old at that, and in love!”

Tatyana spends her free time talking with her nanny and reading books. Due to her age, the girl takes to heart everything that the authors of romance novels write about. The heroine lives in anticipation of pure and strong feeling.


Tatyana is far from the girly games of her younger sister; she does not like the chatter and noise of frivolous girlfriends. The general characteristics of the main character are a balanced, dreamy, extraordinary girl. Relatives and friends get the impression that Tanya is a cold and overly sensible young lady:

"She's in her own family
The girl seemed like a stranger.
She didn't know how to caress
To your father, not to your mother."

Everything changes when Evgeny Onegin comes to the neighboring estate. The new resident of the village is not at all like Tatyana’s few previous acquaintances. The girl loses her head and after the first meeting writes a letter to Onegin, where she confesses her feelings.

But instead of the stormy showdown for which the girl’s favorite novels are so famous, Larina listens to a sermon from Onegin. They say that such behavior will lead the young lady in the wrong direction. In addition, Evgeniy is not at all created for family life. Tatyana is embarrassed and confused.


The next meeting between the heroine in love and the selfish rich man takes place in winter. Although Tatyana knows that Onegin does not respond to her feelings, the girl cannot cope with the excitement of the meeting. Tanya’s own name day turns into torture. Evgeny, who noticed Tatiana’s yearning, devotes time exclusively to the younger Larina.

This behavior has consequences. The younger sister's fiance was shot in a duel, she quickly married someone else, Onegin left the village, and Tatyana was again left alone with her dreams. The girl’s mother is worried - it’s time for her daughter to marry, but dear Tanya refuses all suitors for her hand and heart.


Two and a half years have passed since the last meeting of Tatiana and Evgeniy. Larina's life has changed noticeably. The girl is no longer sure whether she loved the young rake so much. Perhaps it was an illusion?

At the insistence of her mother, Tatyana married General N, left the village where she had lived all her life, and settled with her husband in St. Petersburg. An unplanned date at a ball awakens forgotten feelings in old acquaintances.


And if Onegin is overwhelmed with love for a once unnecessary girl, then Tatyana remains cold. The charming general's wife does not show affection for Eugene and ignores the man's attempts to get closer.

Only for a brief moment does the heroine, who withstands the onslaught of Onegin in love, take off her mask of indifference. Tatyana still loves Evgeniy, but she will never betray her husband or discredit her own honor:

“I love you (why lie?),
But I was given to another;
I will be faithful to him forever.”

Film adaptations

The love drama from the novel “Eugene Onegin” is a popular plot for musical works and film adaptations. The premiere of the first film of the same name took place on March 1, 1911. The black and white silent film touches on the main moments of history. The role of Tatyana was played by actress Lyubov Varyagina.


In 1958, the opera film told the Soviet audience about the feelings of Onegin and Larina. She embodied the image of the girl and performed the vocal part behind the scenes.


A British-American version of the novel appeared in 1999. The film was directed by Martha Fiennes and played the main role. The actress was awarded the Golden Aries for her portrayal of Tatyana.

  • Pushkin chose a unique name for the heroine, which was considered simple and tasteless at that time. In the drafts, Larina is referred to as Natasha. By the way, the meaning of the name Tatyana is organizer, founder.
  • According to scientists, Larina’s year of birth is 1803 according to the old style.
  • The girl speaks and writes Russian poorly. Tatyana prefers to express her thoughts in French.

Quotes

And happiness was so possible, so close!..
But my fate is already decided.
I am writing to you - what more?
What more can I say?
I can’t sleep, nanny: it’s so stuffy here!
Open the window and sit with me.
He is not here. They don't know me...
I'll look at the house, at this garden.

A. S. Pushkin’s novel “Eugene Onegin” is an “encyclopedia of Russian life” of Pushkin’s time. For the first time in Russian literature, an entire historical era was recreated with such breadth and truthfulness, and the poet’s contemporary reality was shown. The action of the novel develops in the Larin family. The Larin family is a provincial landed nobility. They live the same way as their neighbors. With irony, Pushkin talks about the “peaceful life” of the Larins, faithful to the “habits of dear old times.” Larin himself “was a kind fellow, belated in the last century”;

He did not read books, entrusted the housekeeping to his wife, “while he ate and drank in his dressing gown” and “died an hour before dinner.”

Pushkin tells us about the development of the characters of three representatives of the Larin family: mother and daughters - Olga and Tatyana. In her youth, Larina, like her daughter Tatyana, was fond of the novels of Richardson and Rousseau. Before Tatyana, these novels opened up an amazing world with extraordinary heroes committing decisive actions. Following the example of Yulia, the heroine of Rousseau’s novel “The New Heloise,” Tatyana, breaking all prohibitions, is the first to confess her love to Onegin. Novels developed her independent character and imagination. They helped her realize

The vulgar noble world of the Pustyakovs, Skotinins, Buyanovs.

Her mother, reading these same novels in her youth, paid tribute to fashion, since her Moscow cousin “often told her about them.” They left no trace in her heart. Hence the different behavior in the same life situations. In her youth, the eldest Larina “sighed about something else,” but she got married at the insistence of her parents, suffered a little, and then, obeying her husband’s will, went to the village, where she took up housekeeping, “got used to it and became happy.” Tatyana wants to love, but to love a person who is close to her in spirit, who will understand her. She dreams of a man who would bring high content into her life, who would be similar to the heroes of her favorite novels. And it seemed to her that she had found such a person in Onegin. She experienced the tragedy of abandonment, “Onegin’s confession,” but she also experienced true love, real feelings that enriched her.

Pushkin, talking about his “dear” Tatyana, constantly emphasizes her closeness to the people. She grew up and was brought up in the village.

Larina's landowners
kept in a peaceful life
Habits of a dear old man...
...Loved the round swing,
There are songs and a round dance.

The atmosphere of Russian customs and folk traditions surrounding Tatiana was fertile soil on which the noble girl’s love for the people grew and strengthened. There is no gap between Tatyana and the people.

She differs sharply in her moral character and spiritual interests from girls of the nobility, like her sister Olga. Tatyana is full of sincerity and purity in her feelings. Mannered affectation and coquetry are alien to Tatyana. But this was in the nature of the young ladies. After all, Tatyana’s mother in the past was fully consistent with the behavior of her peers. Just like them, she peed in blood

...Into the albums of gentle maidens,
Called Polina Praskovya
And she spoke in a sing-song voice.

But time passed, everything superficial fell away, what remained was the landowner who

...started calling
Shark like the old Selina,
And finally updated
There is cotton wool on the robe and cap.

Over the years, she turned into a typical representative of her circle. She has forgotten everything, serfdom reigns in her memory. It is equally customary that she “salted mushrooms for the winter” and “went to the bathhouse on Saturdays,” and that she “shaved her foreheads” and “beat the maids, getting angry.”

Not so Tatyana. Her attitude towards life and its values ​​does not change, but develops. Having become a society lady, a princess, living in luxury, she still loves her world:

Now I'm glad to give it away
All this rags of a masquerade,
All this shine, and noise, and fumes
For a shelf of books, for a wild garden,
For our poor home.

The complete opposite of Tatyana is her younger sister. Olga has a lot of cheerfulness and playfulness, life is in full swing. She always “has a light smile on her lips”; her “ringing voice” can be heard everywhere. But she does not have the originality and depth that Tatyana has. Her spiritual world is poor. “Always modest, always obedient,” she does not think deeply about life, she follows the rules accepted in society. She cannot understand Tatyana, she is not alarmed by Lensky’s behavior and mood before the duel. Olga passes by everything that leaves a deep mark on Tatyana’s character. Tatyana loves “not jokingly”, “seriously”, for life.

There is no joy for her anywhere,
And he finds no relief
She burst into suppressed tears.
And my heart breaks in half.

How different the suffering Tatyana is from the flighty Olga, who, having cried over Lensky, soon became carried away by the uhlan. Soon she got married, “repeating her mother, with minor changes that time required” (V. G. Belinsky).

Tatyana, Pushkin’s favorite heroine, bears the stamp of nationality to the end. Her answer to Onegin at the end of the novel is also in Pushkin’s understanding, a feature of folk morality: you cannot build your happiness on the grief and suffering of another. The novel “Eugene Onegin” was for Pushkin the fruit of “a mind of cold observations and a heart of sorrowful observations.” And if he mockingly tells us about the fate of Olga, who repeated the fate of her mother, then Tatyana, this “Russian soul” girl, whose moral rules are firm and constant, is his “sweet ideal.”

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A.S. Pushkin. "Eugene Onegin".

Question 1

But my God, what a bore

To sit with the patient day and night,

Without leaving a single step!

How many days did Onegin sit with his dying uncle?

Answer

But, having arrived at my uncle’s village,

I found it already on the table,

Like a tribute ready to the earth.

Question 2

Did Eugene Onegin have his own carriage?

Answer

No, he used a “Yamskaya carriage” (chapter 1, stanza XXVII).

Question 3

Pushkin’s brother, Lev Sergeevich, wrote that in Mikhailovskoye, Alexander Sergeevich’s lifestyle was very similar to the village life of Onegin. What exactly?

Answer

“In winter, when he woke up, he also sat in a bath with ice, and in the summer he went to the river running under the mountain, also played two balls on billiards, and also dined late and rather whimsically,” wrote Lev Pushkin.

Question 4

What did Pushkin call his main character in the original version of the novel? And why did you change her name?

Answer

In the original version of the novel, Pushkin named his heroine Natasha. But then he replaced her name with Tatyana, noting that for the first time he was introducing into the novel one of the “sweet-sounding Greek names, which... are used in our country only among commoners.”

Question 5

What time of year did Tatyana Larina like?

Answer

Tatiana (Russian soul),

Without knowing why

With her cold beauty

I loved Russian winter.

Question 6

How did Tatyana tell fortunes at Epiphany? In this fortune-telling, by the way, her fate was accurately predicted.

Answer

From a people full of water,

The rings come out in a row;

And she took out the ring

To the song of the old days:

“The peasants there are all rich,

They shovel silver;

To whom we sing, it is good

And glory..."

Question 7

What was the name of Tatiana's favorite doll?

Answer

But dolls even in these years

Tatyana didn’t take it in her hands...

Question 8

Tatyana Larina. What's her middle name?

Answer

Dmitrievna

Question 9

What was the name of Tatyana Larina's mother?

Answer

In French: Pachette.

Question 10

What awards did Tatyana Larina's father have?

Answer

Ochakov medal

Question 11

From whom did Pushkin write Olga Larina? What does he himself say in the novel about this?

Answer

... but any novel

Take it and find it right

Her portrait: he is very cute,

I used to love him myself,

But he bored me immensely.

Question 12

Olga and Lensky sometimes played chess.

They're over the chessboard

Leaning on the table, sometimes

They sit, thinking deeply,

And Lensky...

What move did Lensky make?

Answer

And Lensky pawn rook

He takes his own into distraction.

Question 13

Which of the Larins' neighbors was captured by the French after falling off his horse while drunk?

Answer

Zaretsky

Question 14

Tatyana wrote her famous letter to Onegin in French. Pushkin writes:

If only you were with me,

I would become an immodest request

To disturb you, my dear:

So that magical melodies

You shifted the passionate maiden

Foreign words...

Which poet are these lines addressed to? Whom did Pushkin want to invite as translators?

Answer

Evgeniy Baratynsky

Question 15

Who gave Tatiana's letter to Onegin?

Answer

Tatyana to the nanny: “Send your grandson.”

Question 16

Who invited Olga first at Tatiana’s name day, and who invited Tatiana?

Answer

Approaches Olga Petushkov,

To Tatyana Lensky.

Question 17

On what date and what month did Lensky shoot with Onegin?

Answer

Question 18

From what distance did Onegin and Lensky begin to duel? From what distance did Onegin shoot Lensky?

Answer

They began to converge from a distance of thirty-two steps. Onegin fired from fourteen steps.

Question 19

Who is Lepage?

Answer

Lepage is the name of a gunsmith. Onegin killed Lensky with a pistol of his making.

Question 20

What wristwatches were especially fashionable in Pushkin’s era? How did they call?

Answer

While the vigilant Breguet

Dinner won't ring his bell.

A wonderful watch by the Parisian master Breguet. The famous Breguet! The Breguet was equipped with a mechanism that, if you pressed a special spring, “ringed back” the time. That is, the time could be found out without opening the lid. In addition, Breguet never produced two identical watches.

Question 21

In St. Petersburg, Onegin could meet another Pushkin hero on the street and could pay attention to his bright appearance. They said about this man that he had the profile of Napoleon, and the soul of Mephistopheles. Who is this?

Answer

Hermann from The Queen of Spades

Question 22

What did Evgeny Onegin and Pierre Bezukhov see on the champagne cork on Prechistensky Boulevard?

Answer

Comet of 1812

Question 23

Tsimlyanskoye is already being carried;

Behind him, line up the glasses, narrow, long,

Like your waist...

Whose waist?

Answer

In Onegin - Zizi, in the life of Pushkin - Eupraxia Wulf.

Question 24

Many of Pushkin's poetic lines have become catchphrases. But when we take one or two lines from a work of art and make certain axioms out of them, aren’t we distorting the overall picture? For example: “The less we love a woman, the…”. Right! “The easier it is for her to like us.” And now many people say: Pushkin said so. But the stanza begins with these lines, but how does it end?

Answer

But this is old fun

Worthy of old monkeys

Vaunted grandfather's times...

Question 25

I knew unattainable beauties,

Cold, clean like winter,

Relentless, incorruptible,

Incomprehensible to the mind...

Now let's remember: what inscription did Pushkin read on the faces of these coldest beauties, above their eyebrows?

Answer

And, I think, I read with horror

Above their eyebrows is the inscription of hell:

Give up hope forever.

Question 26

Whom to love? Who to believe?

How does Pushkin answer these questions?

Answer

Love yourself, my dear reader!

Question 27

When poor Tatyana Larina arrived in Moscow, these young diplomats looked at her primly and spoke unfavorably about her among themselves. Who are they?

Answer

“Archive youths”, employees of the archive of the College of Foreign Affairs. Among them could be Venevitinov, Odoevsky, Ivan and Pyotr Kireevsky.

Question 28

In which Moscow building did Tatyana Larina first see her future husband, the general? Remember Pushkin?

There is cramped space, excitement, heat,

Music roars, candles sparkle,

Flashing, a whirlwind of fast steams,

Light dressing for beauties...

What kind of building?

Answer

House of the Noble Assembly. Then the House of Unions, the Hall of Columns.

Question 29

What psychological explanation does Pushkin give when describing Onegin’s sudden infatuation with Tatyana, who was once rejected by him? Let me remind you of the beginning: “O people! you all look alike..."

Answer

O people! you all look alike

To the ancestor Eva;

What is given to you does not attract

The serpent is constantly calling you

To yourself, to the mysterious tree;

Give me the forbidden fruit,

And without him, heaven is not heaven for you.

Question 30

Using four rhymes, try to reproduce the words of Onegin:

...measured

… my

… sure

… I.

Answer

I know: my life has already been measured;

But so that my life may last,

I have to be sure in the morning

That I will see you during the day.

Question 31

Now, using six rhymes, try to reconstruct Tatyana’s answer to Onegin:

...mutilated

... yard

… a shame

...seen

... bring

… honor?

Answer

That the husband was maimed in battle,

Why is the court caressing us?

Isn't it because it's my shame

Now everyone would notice

And I could bring it in society

Do you want a tempting honor?

Question 32

Tatyana loves Evgeniy, and he “suddenly saw a woman in a new, brilliant, unattainable setting - but in this setting, perhaps, the whole point of the matter... After all, this girl... is now worshiped by the world... that’s why he rushes to her blinded.” Who diagnosed Onegin with this?

Answer

Dostoevsky

Question 33

According to one piece of evidence, Onegin’s fate was decided by some kind of wedding that took place in January 1828 in St. Petersburg. After this wedding, Pushkin said to the bridegroom: “You ruined my Onegin for me: he should have taken Tatyana away, but now... he won’t do that.” What was the name of the woman who “spoiled” Onegin?

Answer

Olga Pushkina, the poet's sister, who married Pavlishchev.

Question 34

In the summer of 1825, Pushkin gave one person a printed copy of the 2nd chapter of Onegin, and it contained handwritten poems on postal paper. What poems?

Answer

"I remember a wonderful moment..."

Question 35

Winter! The peasant, triumphant, renews the path on wood...

These poems could have perished. What danger threatened them?

Answer

Pushkin almost lost chapter 5 of Eugene Onegin at cards.

Question 36

Pushkin was offended by one of his lovers and decided to make fun of her in Eugene Onegin:

Here... his daughter was

So cutesy, so small,

So unkempt, so squeaky,

That inevitably every guest

He assumed intelligence and anger in her.

But then Pushkin changed his mind and did not include poetry in the work. What was the girl's name?

Answer

Anna Olenina

Question 37

Having finished work on “Boris Godunov,” Pushkin clapped his hands and exclaimed: “Oh yes Pushkin, oh yes son of a bitch!” And on the day when Pushkin finished the novel “Eugene Onegin,” he wrote the poem “Labor.” What was said there?

Answer

The longed-for moment has come: my long-term work is over.

Why is this incomprehensible sadness secretly disturbing me?



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