Bringing death. Talvar - Indian saber Talvar Indian saber

Among collectors ancient weapons India is famous not only for the widest variety of curved and straight swords, but also for such unique weapon, like a talwar. Tulwars or Talwars are the most common type of ancient saber found in the Indo-Iranian region. Such in the majority literary sources is rightfully considered a typically Indian weapon. The oldest books spoke of the talwar as one of the ten divine weapons that appeared in the thirteenth century.

It had a lens-shaped or flat blade in cross-section. As a rule, it was moderately or slightly curved, distinguished by medium width and one-and-a-half sharpening. Talwars always had a ricosso - the so-called cutting edge blade, starting five to seven centimeters from the handle. The craftsmen left a small, unsharpened “platform” behind the crosshairs. Later models of talwars were characterized by the presence of elmani - an extension at the tip of the blade.

The blades of such weapons were made with or without fullers. In some ancient talwars, the valley was end-to-end, which made it possible to place a number of pearls or freely rolling metal balls into it. When the first Europeans began to appear in the region, local craftsmen began to actively produce combat blades of the European type, in which the handle was replaced with a talvar one.

A particularly interesting part of such a weapon was undoubtedly considered the hilt, which had diverse different shapes and sizes. Often the talwar had an s-shaped or d-shaped bow, and the wooden scabbard was covered with leather or velvet. Ancient talwars, which belonged to noble and wealthy people, had a metal tip and mouth. Such sabers had different blades in bending, workmanship and size. As a rule, the blade of the talwar was not very wide, but there were weapons with several sharp fullers and a wide blade.

The traditional handle of the talwar was straight with a characteristic thickening in the middle part. Talwars were usually worn in a sheath or slung over the shoulder. They were often richly decorated with geometric or floral patterns applied to the hilt. In addition, the blade was decorated with images of animals and gods using gilding or carving. Talwars, made for noble people and local rulers, were richly inlaid precious stones and were decorated with delightful enamel compositions.

Most people are well aware of the edged weapons of Japan, Europe and Turkey. But, for example, Indian weapons remain an unknown mystery for many.

Which is somewhat strange, since India has a large population, large territory, not to mention its outstanding culture and history.

Among Indian weapons, the katar, khanda, and talwar stand out especially, and it is about the latter that I want to write a few words. We will talk about the “Indian saber”.

Appearance Talwara is typical for sabers - the blade is of medium width, somewhat curved, the sharpening can be one and a half, but this is not necessary. There are variants of the talwar both with and without elmanya. There may be a fuller on the blade of the talwar, but most often it is not there. In some cases, the valley may even be end-to-end; movable balls made of various materials are sometimes inserted into it.

The main difference between the talwar and other sabers is, first of all, its disc-shaped pommel of the hilt. Also, this saber must have a “ricasso” (heel), even if it is small. The blade length can be from 60 to 100 cm, width - from 3 to 5 cm in the ricasso area.

The handle of the talwar is straight, with a thickening in the middle, and is designed exclusively for one hand. The disc-shaped pommel prevents the weapon from being lost and gives this saber a unique look. It is often richly decorated, as are the hilt and guard. The latter can have either a straight shape, or an S-shaped or D-shaped one.

The ornaments decorating the talwar usually contain geometric figures, images of animals and birds. On the weapons of the rich you can see inlay with precious stones or enamel.

The Talwar has been around since the 13th century and was a very popular weapon in northern India. Especially among the Rajputs, representatives of the Kshatriya caste, who used these weapons right up to the 19th century.

For many hundreds of years, Europeans considered precious stones to be the main treasures of India. But in fact, its main wealth has always been iron. Indian steel has been highly valued since the time of Alexander the Great and was used to produce the highest quality and most expensive weapons.

The famous centers of weapons production in the medieval East were Bukhara and Damascus, but... they received metal for it from India. It was the ancient Indians who mastered the secret of producing damask steel, known in Europe as Damascus. They also managed to tame and use elephants in battles, and just like their horses, they dressed them in chain mail armor and metal plates!

In India, several grades of steel of varying quality were produced. The steel was used to produce various types of weapons, which were then exported not only to the markets of the East, but also to Europe. Many types of weapons were unique to this country and were not used anywhere else. If they were bought, they were considered as a curiosity.

Chakra, a flat throwing disc used in India until the mid-19th century, was very dangerous in the right hands. The outer edge of the disk was razor-sharp, and the edges of its inner hole were blunt. When throwing, the chakra was vigorously spun around the index finger and thrown at the target with all its might. After this, the chakra flew with such force that at a distance of 20–30 m it could cut through the trunk of a green bamboo 2 cm thick. Sikh warriors wore several chakras on their turbans at once, which, among other things, protected them from above from a saber strike. Damask chakras were often decorated with gold notches and had religious inscriptions on them.

In addition to ordinary daggers, the Hindus very widely used the katar - a dagger with a handle perpendicular to its longitudinal axis. At the top and bottom there were two parallel plates, ensuring the correct position of the weapon and at the same time protecting the hand from someone else’s blow. Sometimes a third wide plate was used, which covered the back of the hand. The handle was held in a fist, and the blade was like an extension of the hand, so the blow here was directed by the stronger muscles of the forearm, rather than the wrist. It turned out that the blade was an extension of the hand itself, thanks to which they could strike from various positions, not only standing, but even lying prone. The Cathars had both two and three blades (the latter could stick out in different directions!), they had sliding and curved blades - for every taste!

Madu. A very original weapon was a pair of antelope horns, which had steel tips and were connected on one handle together with a guard to protect the hand, with points in different directions.

Nepal was the birthplace of the kukri knife, which has a specific shape. It was originally used to cut a path through the jungle, but then found its way into the arsenal of the Nepalese Gurkha warriors.

Not far from India, on the island of Java, another original blade was born - the kris. It is believed that the first kris were made in Java by a legendary warrior named Juan Tuaha back in the 14th century. Later, when Muslims invaded Java and began to persistently spread Islam there, they also became acquainted with these weapons. Having appreciated these unusual daggers, the invaders began to use them themselves.

The blades of the first kris were short (15–25 cm), straight and thin, and were made entirely of meteorite iron. Later they were somewhat lengthened and made wavy (flame-shaped), which facilitated the penetration of weapons between bones and tendons. The number of waves varied (from 3 to 25), but was always odd. Each set of curves had its own meaning, for example, three waves implied fire, five were associated with the five elements, and the absence of curves expressed the idea of ​​unity and concentration of spiritual energy.

The blade, made of an alloy of iron and meteorite nickel, consisted of several repeatedly forged layers of steel. What gave the weapon special value was the moiré-like pattern on its surface (pamor), formed when the product was treated with plant acids, so that the grains of stable nickel stood out clearly against the background of deeply etched iron.

The double-edged blade had a sharp asymmetrical extension near the guard (ganja), often decorated with a slotted ornament or a patterned notch. The handle of the kris was made of wood, horn, ivory, silver or gold and was carved, with a more or less sharp bend at the end. Characteristic feature Chris was that the handle did not lock and easily turned on the shank.

When gripping a weapon, the bend of the handle was placed on the little finger side of the palm, and top part the guard was covered by the root of the index finger, the tip of which, together with the tip thumb clutched the base of the blade near the bottom of the ganja. The tactics for using kris involved a quick thrust and pull. As for the “poisoned” kris, they were prepared very simply. They took dried dope seeds, opium, mercury and white arsenic, mixed everything thoroughly and crushed it in a mortar, after which the blade was covered with this composition.

Gradually, the length of the kris began to reach 100 cm, so that in fact it was no longer a dagger, but a sword. In total in South-East Asia up to the present day there are more than 100 varieties of this type of weapon.

Kora, Khora or Hora is a heavy striking sword from Nepal and northern India, used for both martial and ritual purposes. Martial and ritual kora are very similar, only the sacrificial sword is wider and heavier. It has a very heavy flared pommel, as it must add weight to the blade and decapitate the sacrificed animal in one blow. The kor blade has a characteristic duck's foot profile, thin near the hilt, with a blade flaring towards the tip with a slightly curved blade. The massive blade has a curved shape, sharpened to inside. Sometimes a fuller is used in the form of a wide groove located along the entire length of the blade and replacing the rib. The presence of several edges allows you to strike with different parts of the sword. The total length of the sword is 60-65 cm, the length of the blade is 50 cm. The guard is ring-shaped, made of metal and has the shape of a disk. Often the guard is placed both on the side of the blade and on the side of the pommel, and protects the hand on both sides.
The kora is usually decorated with an eye symbol or other Buddhist symbolism, which is placed on each side of the blade. Sheath made of genuine leather. There are two types of kor sheaths: a scabbard adapted to the shape of the sword, unfastened by means of buttons located along the entire length of the sheath. In another version, the large sheath looks like a carrying case. There is a kora model with a longer and lighter blade.

Sword puttah bemoh
A two-handed sword or epee with a long narrow straight blade and two handles separated by guards in the shape of crosses or cups. It was first mentioned in the 16th century treatises “Nihang-nama” and “Nujum al-Ulum”. Several copies of such swords have survived. One of them has a total length of 165 cm and a blade length of 118 cm. The handle is divided into two parts, each of which is equipped with a cup-shaped guard. The blade is quite narrow, similar to a sword blade.
It is believed that these swords arose in the 16th century, perhaps under the influence of the German Zweihanders, and were later replaced by Khanda weapons. However, mel puttah bemoh has important difference from European two-handed swords - a narrow and relatively light blade, which was not so effective for delivering slashing blows.

In general, the edged weapons of India and the lands close to it were extremely diverse. Like many other peoples of Eurasia, the national weapon of the Hindus was a straight sword - the khanda. But they also used their own types of sabers, which were distinguished by a relatively slight curvature of the wide blade, starting from the very base of the blade. Excellent forging masters, the Indians could make blades that had a slot on the blade, and pearls were inserted into it, which rolled freely in it without falling out! One can imagine the impression they made as they rolled into the slots on an almost black blade made of Indian damask steel. The hilts of Indian sabers were no less rich and elaborate. Moreover, unlike the Turkish and Persian ones, they had a cup-like guard to protect the hand. It is interesting that the presence of a guard was also typical for other types of Indian weapons, including even such traditional ones as a mace and a shestoper.

Talvar – Indian saber. The appearance of the talwar is typical for sabers - the blade is of medium width, slightly curved, sharpening can be one and a half, but this is not necessary. There are variants of the talwar both with and without elmanya. There may be a fuller on the blade of the talwar, but most often it is not there. In some cases, the valley may even be end-to-end; movable balls made of various materials are sometimes inserted into it.
The main difference between the talwar and other sabers is, first of all, its disc-shaped pommel of the hilt. Also, this saber must have a “ricasso” (heel), even if it is small. The length of the blade can be from 60 to 100 cm, width - from 3 to 5 cm. The handle of the talwar is straight, with a thickening in the middle, and is designed exclusively for one hand. The disc-shaped pommel prevents the weapon from being lost and gives this saber a unique look. It is often richly decorated, as are the hilt and guard. The latter can have either a straight shape, or an S-shaped or D-shaped one.
The ornaments decorating the talwar usually contain geometric shapes, images of animals and birds. On the weapons of the rich you can see inlay with precious stones or enamel.

The Talwar has been around since the 13th century and was a very popular weapon in northern India. Especially among the Rajputs, representatives of the Kshatriya caste, who used these weapons right up to the 19th century.
In addition to military, the talwar also has a certain sacred purpose. According to mythology, it is one of the ten weapons of the gods, with the help of which the forces of good fought against demons and other evil.

Pata or puddha is an Indian sword with a long, straight, double-edged blade that is connected to a gauntlet, a steel guard that protects the arm up to the elbow.

Pata is a combination of a straight, double-edged sword and armor protection for the forearm and hand. The blade fits into a protective cup with a handle inside. The pat has a handle perpendicular to the blade, just like a katar, but there are several belts on the armor to secure the hand.
Pata blades were from 60 to 100 cm with a hilt width of 35-50 mm. The weight reached 1.5 - 2.2 kg. The pata blade was fastened with rivets to plates extending from the protective cup.
The pata cup covering the hand was often made in the shape of the head of an elephant, snake, fish or dragon. In this case, the blade extended from the open mouth like a huge tongue. Another popular cup shape motif is the mythical Yali lion swallowing an elephant.

Apparently, the pata developed at one time from the katar (Indian dagger), going through several modifications of the guard and becoming hypertrophied. First, a protective plate was added to the catarrh to cover the wrist, then it was connected to the side metal strips. This design gradually transformed into a “plate glove” that covered the arm up to the elbow. The “handle glove” could be of a skeletal type - made of metal crossed strips (probably earlier forms) or made in the form of the heads of mythical animals.
According to another version, it’s the other way around - in the beginning there was a stalemate, from which the Cathars originated by simplifying the design. But the truth is that both Qatar and Pata were in service during the same period of history.

Bhuj (also kutti, gandasa) is an Indian glaive-type weapon. It consists of a short handle (about 50 cm) connected to a massive blade in the form of a knife or cleaver. Thus, this weapon is similar to the short variants of the palm or dadao.
IN classic version The bhuja blade was quite wide and had a one-and-a-half sharpening, while it was distinguished by a double bend: closer to the handle it was concave, and towards the tip it was curved, so that the tip was directed upward relative to the handle. Along the center of the blade, from the tip to the level at which the butt began, there was a stiffening rib. The handle was often made of metal (steel, bronze, copper), less often of wood. In some cases, the bhuj was accompanied by a scabbard, usually made of wood and covered with velvet.
Thanks to the massive blade, this weapon could deliver powerful slashing blows, which is why one of its names meant “knife-axe.” In addition, the junction of the blade with the handle was sometimes made in the form of a decorative elephant's head, which is where another name comes from - “elephant knife”.

The name "bhuj" is derived from the city of the same name in Gujarat, where this weapon originates. It was widespread throughout India, especially in the north. There were also rarer variants, for example, those that had a handle with a guard, or that had a different blade shape. A bhuj is also known, combined with a percussion pistol, the barrel of which is located above the butt of the blade; A stiletto is inserted into the end of the handle opposite the blade. IN south india an analogue of the bhuj was used - the verchevoral, which had a concave blade and was used to cut through thickets.

Driven - a klevet used in India in the 16th - 19th centuries.
Its name comes from the Persian word meaning "crow's beak", since it had this shape combat unit drove. The beak was made of steel in the form of a rather thin dagger blade, usually with a stiffening rib or fullers. The tip sometimes curved down towards the handle, in other cases the blade was straight. On the butt there was sometimes a decorative bronze figurine depicting, for example, an elephant. Less often, a small ax was made instead - such a weapon was called a tabar-driven one.

Mints of other types were less common. In particular, peckers with a round cross-section or faceted beak were in circulation. Quite exotic artifacts have also been preserved, one of which has 8 beaks at once, secured so that 2 were directed in each of the four directions, and ax blades are attached between them. Another specimen is similar to a tonga ax with a double forward-pointing tip.
The handle of the coins was made of wood or metal. Sometimes a stiletto could be inserted into the hollow metal handle on the opposite side of the combat part. These coins were one-handed weapons. Their total length ranged from 40 to 100 cm.

Haladi dagger.
The haladi had two double-edged blades connected by a handle. It was an attack weapon, although not much curved blade could easily be used to parry. Some types of khaladi were made of metal, and were worn like brass knuckles, where another spike or blade could be located. These types of khaladi were perhaps the world's first three-bladed daggers.

Urumi (lit. - twisted blade) is a traditional sword, common in India in the northern part of Malabar. It is a long (usually about 1.5 m) strip of extremely flexible steel attached to a wooden handle. The excellent flexibility of the blade made it possible to wear the urumi concealed under clothing, wrapping it around the body.

In some cases, the length of such a sword could reach six meters, although one and a half meters can be considered the standard. Previously, such flexible swords were worn by assassins, remaining unnoticed for weapons. After all, this sword, as already mentioned, is very flexible, and can be wrapped around a belt.
A flexible sword is a rather dangerous weapon that requires martial arts. It can work both as a regular whip and as a sword. Interestingly, urumi can have more than one stripe, but several, which makes it a powerful and very dangerous weapon in the hands of a true master.
Wielding this sword required good skills. Due to the fact that the urumi was very flexible, there was a serious risk of self-harm for the owner. Therefore, beginners began training with long pieces of fabric. Mastery of urumi is included in the complex of the traditional South Indian martial art of Kalaripayattu.

Kalaripayattu, as a martial art, was developed in the second half of the 16th century, despite the prohibitions of the British colonialists, who feared the emergence of an uncontrolled fighting structure. But, despite the bans, schools continued to train Kalaripayattu fighters. The primary rule of martial art for a warrior was perfect control of his body. The battle took place in conditions of incessant movement, instant lunges and dodges, jumps, coups and somersaults in the air.
The Kalaripayattu fighter was armed with a saber or dagger, a trident or a pike with a steel tip. Some masterfully wielded a long, double-edged sword. But most terrible weapon there was an urumi sword. Several flexible blades, sharp as a razor, about two meters long, extended from the handle. The fight could have ended in the first second, since Urumi's movement was completely unpredictable. One swing of the sword sent the blades to the sides and their further movement was unpredictable, especially for the enemy.

The complex oriental bow was also well known in India. But due to the characteristics of the Indian climate - very humid and hot - such onions are not widely used. Having excellent damask steel, the Indians made small bows from it, suitable for horsemen, and bows for infantrymen were made of bamboo in the manner of the solid wooden bows of English archers. Indian infantry of the 16th–17th centuries. already quite widely used long-barreled matchlock muskets, equipped with bipods for ease of shooting, but there were always not enough of them, since in craft production they were produced in large quantities it was extremely difficult.

Feature of Indian impact weapons there was a guard even on poles and clubs.

Very interesting were Indian chain mail with a set of steel plates on the front and back, as well as helmets, which were used in India in the 16th–18th centuries. often made from separate segmental plates connected by chain mail weaving. Chain mail, judging by the miniatures that have come down to us, had both long and short sleeves up to the elbow. In this case, they were very often supplemented with bracers and elbow pads, often covering the entire hand.

Over the chain mail, mounted warriors often wore smart, bright robes, many of which had gilded steel discs on the chest as additional protection. Knee pads, leg guards and leggings (chain mail or in the form of solid forged metal plates) were used to protect the legs. However, in India, metal protective shoes (as in other countries of the East), unlike the protective shoes of European knights, never became widespread.

Indian shield (dhal) from Rajasthan, 18th century. Made of rhinoceros skin and decorated with rock crystal umbons.

It turns out that in India, as well as in all other places, right up to the 18th century, the weapons of heavily armed cavalry were purely knightly, although again not as heavy as they were in Europe until the 16th century. Horse armor was also widely used here, or at least cloth blankets, which in this case were complemented by a metal mask.

Kichin horse shells were usually made of leather and covered with fabric, or they were lamellar or lamenar shells made of metal plates. As for horse armor, in India, despite the heat, they were popular until the 17th century. In any case, from the memoirs of Afanasy Nikitin and some other travelers, it can be understood that they saw cavalry there “entirely dressed in armor,” and the horse masks on the horses were trimmed with silver, and “most were gilded,” and the blankets were sewn from multi-colored silk, corduroy, satin and “Damascus fabrics”.

Bakhterzov armor for a war elephant, India, 1600

This is the most famous armor for the war elephant. It is on display at the Royal Armories in the English city of Leeds. It was made around 1600, and it arrived on the shores of Foggy Albion 200 years later.
Elephants fought in this armor in Northern India, Pakistan and Afghanistan. Today this is the largest elephant armor in the world, which is officially registered in the Guinness Book of Records.

Scale armor for a war elephant, India, 17-18 centuries

Metal plates are sewn onto a base, such as leather. Some of the plates are made of yellow metal, like tiles. Each plate overlaps several neighboring ones, which allows for stronger protection and thinner plates. Thanks to thinner and lighter plates, the weight of the entire armor is also reduced.

Plate armor for a war elephant

Talvar - Saber against demons

Talwar became a symbol of the valor of the warrior caste of India

The weapons of the Indian gods impress with their exoticism and destructive power. Here is the mysterious lightning-like vajra with which Indra defeated his enemies.

And chakra, the throwing disc of Vishnu, which only masters could use. It is all the more surprising to see in this row a simple and laconic saber - the talvar.

It is commonly said that the beauty of a weapon lies in its efficiency and the absence of unnecessary elements. This is fully applicable to the talwar, the traditional saber of Indian warriors. Moderately curved blade, handle that fits comfortably in the palm, perfect balance. Only the unusual looking hilt attracts attention. For centuries, both foot and horsemen fought with these weapons. And not only in India, but also in Pakistan, Bangladesh, Afghanistan and even Nepal.

The secret of the hilt

Talwar appeared around the 13th century and belongs to big family eastern weapons, which originated from the ancient curved swords with which Turkic tribes conquered Asia. The closest “relatives” of the Indian talwar are the Arabic saif, Persian shamshir and Turkish kilic. It is distinguished by a relatively small and smooth bend, as well as a small blade width.

However, as often happens, the word “talwar” in India is often used to describe any bladed weapon. Therefore, there are talwars of very unconventional shapes. Some of them even belong to the so-called zul-fiqar - curved swords, the blade of which is forked at the end. According to legend, the Prophet Muhammad owned such a sword.

However, there is a feature by which a Talwar can be unmistakably recognized and distinguished. This is the shape of the hilt. The straight handle with a noticeable thickening in the middle was crowned with a large disk, on which the fighter’s hand seemed to rest. Such a system, on the one hand, limited the freedom of movement of the hand, preventing it from freely twisting the saber and performing complex feints. But on the other hand, it increased control over the blade and strengthened the blow.

Talwar hilts were often equipped with an arch to protect the fingers.

But she never was mandatory element and could take on a variety of forms. The traditional material for making hilts was iron, sometimes brass and silver.

Another feature is the position of the hilt relative to the blade. Among the North Indian Talwars, the handle was simply placed in line with the blade, which facilitated piercing blows. In the south, the handle was tilted. This small angle enhanced the chopping blow and allowed the saber to be pulled a little further during cutting and secting movements.

Insidious blow

The variety of forms also affected the blade. Almost all of them have a length within 100 centimeters, but can vary greatly in width. As a rule, the blade of the talwar is decorated with one or more dols.

The most original decoration, which only the most expensive specimens made for members of the highest nobility have, was the so-called moti-dawati. This is a through groove that runs along the blade. Several freely rolling metal balls were placed in it. And sometimes they were not balls, but pearls! Contrary to numerous legends, such decoration was purely decorative in nature and rather reduced the fighting qualities of the saber rather than giving it any special lethality. Talwars with moti-dawati were more likely to wear full dress than to go into battle.

There are no strict rules for sharpening a talwar. Most often, the blade had only one side of the blade, but one-and-a-half sharpening was also common. Often there is an expansion in the last third of the blade - elman - to enhance the chopping blow.

The shape of the talwar allowed it to be used by both horsemen and infantrymen. The methods used could be very varied. The Talwar could be used to chop, cut and stab with equal efficiency, which distinguished it favorably from most competing weapons. It is known that skilled fighters could deliver such blows with relatively light talwars. terrible power that cut off a limb or even the head of an enemy.

A completely unique technique that only the best masters, was a blow at an extremely close range, delivered by a long spike located on the same disk crowning the hilt. However, not all talwars had such a spike. Very often there was simply a small protrusion with a through hole through which a lanyard was threaded and put on the wrist.

FOR EUROPEANS

In 1796, the British light cavalry was equipped with new sample sabers The initiator of its development was Captain John Le Marchant, who noticed that previously standard army sabers were too long and heavy. The new blade was much lighter, had a stronger bend and a more pronounced edge. In his notes, Captain Marchand noted that he considered the sabers of the Turks, Mamluks, Hungarians and Moroccans to be the best cavalry bladed weapons. However, according to many weapons experts, he took the Indian talwar as a model for the new army saber. It is known that the Hindus themselves noted this similarity. Some Indian gunsmiths even converted the English sabers that came to them into real talwars, replacing the European hilt with a traditional one, with a flat pommel. It was with sabers of the 1796 model that the English cavalry fought through all the battles of the Napoleonic Wars.

The best of the best

The talwars were most glorified by the Indian Rajputs. This is not only a people, but at the same time a caste of kshatriya warriors. Since the 9th century they have played a huge role in both internal and foreign policy. The Rajputs, who valued honor and military prowess above all else, repeatedly claimed to unite the disparate Indian states under their rule. However, they managed to gain a foothold only in the north-west. This territory was called Raj-putana. Currently, the largest Indian state is located there - Rajasthan, with its capital in Jaipur.

The Rajputs, who kept the faith of their ancestors sacred, became a serious problem for the Islamic conquerors who invaded India in the 11th century. The Rajputs waged endless and sometimes very successful wars against the Delhi Sultanate. Their military skill and complete contempt for danger inspired respect and fear in their enemies. IN hopeless situation Rajputs never surrendered, but fought to the last drop of blood. Or they committed collective suicide along with their wives and children.

Most likely, it was at this time that the talwar began to be depicted as one of the attributes of the Hindu gods. After all, it was the talwar true friend and the companion of the main defenders of Hinduism for centuries.

However, the valor of the Rajputs still could not prevent the conquest of India by the troops of Babur, who founded the Mughal Empire here. The Rajputs were forced to recognize the power of the Muslim rulers, but retained the right to autonomy. And they continued to resolutely resist any attempts at Islamization, raising uprising after uprising.

The unwavering resilience of the Rajputs is legendary. And their legendary weapon became a symbol of military spirit and art. Muslims also valued talvars extremely highly; moreover, it was this saber that began to be used in rituals by representatives of one of the main branches of the LESSON My world

The Talwar (Hindi: तलवार; Urdu: تلوار, Pashto, Punjabi: ਤਲਵਾਰ) is a type of saber with a slight to moderate curve of the blade, common in the Indian subcontinent, modern India, Pakistan, Bangladesh, Nepal and Afghanistan. The terms talwaar and tulwar were used to define weapons.

Story

The Talwar appeared along with other curved swords: the Arabic saif, the Persian shamshir, the Turkish klych (kilic) and the Afghan saber. All of the listed types of weapons were descendants of ancient curved swords made in the territory of Turkic Asia. As a rule, the blade of the talwar did not have the same curvature as that of the shamshir. The small width of the blade distinguished the saber from the standard kilic. Talwar was widely used by the Mughals, who were of Turko-Mongol origin.

Characteristics

There were a great many varieties of talvar, they were distinguished by the type of blade. There were also very non-standard ones: from double-edged blades (zulfikar) to very massive options (sometimes called tegha - executioner’s swords). However, all blades shared a curved shape, and the vast majority of talwars were similar to a typical saber.

In many examples of the talwar, the largest radius of curvature was located in the distal half of the blade, exceeding the radius near the hilt. Also a fairly common feature of the saber design was the expansion of the blade at the tip (without expansion at back side butt characteristic of fang).

The blade profile of the British light cavalry saber of 1796 is similar to the talwar, and among experts there is an opinion that the talwar was the progenitor of the British saber.

Despite the influence of Middle Eastern swords on saber design, the standard talwar was characterized by a wide blade, which distinguished it from the shamshir. Later examples of weapons were equipped with European-made blades mounted in Indian hilts. The hilt of a standard talwar is called a “disc-shaped hilt” due to the presence of a disc-shaped flange at the pommel. Often in the center of the pommel there was a small protrusion through which a cord was threaded to secure the sword to the wrist. The saber hilt included a simple guard, which often had an arch to protect the hand. As a rule, it was made of iron, but specimens made of brass and silver have been discovered. Fastening to the blade was carried out using adhesive resin. Expensive weapons were depicted with silver or gold plated decorations in a form called "koftigari".

Application

The Talwar was used by both cavalry and infantry. To deliver chopping blows, by analogy with a saber, the handle of the weapon was tightly squeezed in the hand, while the pommel rested on the wrist. The features of the talwar protected the hand and improved control over the weapon, allowing for effective slashing blows. Because The saber blade, unlike the shamshir, did not have much curvature; the weapon was also used for piercing blows. The blades of some examples of the talwar widened at the tip, which allowed skilled warriors to cut off limbs or even decapitate an enemy. If he was on close range, the spike located on the pommel made it possible to deliver a piercing blow. The grip of the talwar could be carried out with the index finger clasping the guard of the saber.

Cultural significance

The weapon is still used in the Shia ritual of self-flagellation in memory of Hussein ibn Ali. Today, the term "talwar" has a literal meaning of "sword"/"dagger" in most languages ​​of the Indian subcontinent.