A fable about fly agaric and porcini mushroom. Analysis of the fable "Mushrooms"

His impudent appearance caught everyone's eye:

Look at me! There is no more noticeable and there was no toadstool!

Well, how beautiful I am! Beautiful and poisonous!

And the White Mushroom in the shade under the Christmas tree was silent.

That's why no one noticed him...

The moral of the fable "Mushrooms"

And that's why no one noticed him.

This short but capacious fable shows that selfish and mediocre people praise themselves, while talented and modest people do not declare themselves, because their virtues are known to everyone.

Analysis of the fable "Mushrooms"

Fly agaric is a noticeable mushroom, with expressive coloring, but for all its attractiveness, it is poisonous.

Reasonable nature endowed him with a bright hat in order to warn people of danger. Red is a threat.

White Mushroom - invisible, being in the shade of a Christmas tree, but it is a royal mushroom, noble, most delicious, fragrant and nutritious. Its value is known to all.

Pleasant external data is not at all a confirmation of the depth of the soul, sensitivity and responsiveness of character, decency and kindness.

How often does it happen that the first acquaintance with a person is deceptive. Before forming any opinion, it is necessary to take a closer look at a person, get to know him, understand the richness of his inner world.

Narcissistic people love to praise themselves. The good ones value their values, they are modest, decent and laconic.

Great about verses:

Poetry is like painting: one work will captivate you more if you look at it closely, and another if you move further away.

Little cutesy poems irritate the nerves more than the creak of unoiled wheels.

The most valuable thing in life and in poetry is that which has broken.

Marina Tsvetaeva

Of all the arts, poetry is most tempted to replace its own idiosyncratic beauty with stolen glitter.

Humboldt W.

Poems succeed if they are created with spiritual clarity.

The writing of poetry is closer to worship than is commonly believed.

If only you knew from what rubbish Poems grow without shame... Like a dandelion near a fence, Like burdocks and quinoa.

A. A. Akhmatova

Poetry is not in verses alone: ​​it is spilled everywhere, it is around us. Take a look at these trees, at this sky - beauty and life breathe from everywhere, and where there is beauty and life, there is poetry.

I. S. Turgenev

For many people, writing poetry is a growing pain of the mind.

G. Lichtenberg

A beautiful verse is like a bow drawn through the sonorous fibers of our being. Not our own - our thoughts make the poet sing inside us. Telling us about the woman he loves, he delightfully awakens in our souls our love and our sorrow. He is a wizard. Understanding him, we become poets like him.

Where graceful verses flow, there is no place for vainglory.

Murasaki Shikibu

I turn to Russian versification. I think that over time we will turn to blank verse. There are too few rhymes in Russian. One calls the other. The flame inevitably drags the stone behind it. Because of the feeling, art certainly peeps out. Who is not tired of love and blood, difficult and wonderful, faithful and hypocritical, and so on.

Alexander Sergeevich Pushkin

- ... Are your poems good, tell yourself?
- Monstrous! Ivan suddenly said boldly and frankly.
- Do not write anymore! the visitor asked pleadingly.
I promise and I swear! - solemnly said Ivan ...

Mikhail Afanasyevich Bulgakov. "Master and Margarita"

We all write poetry; poets differ from the rest only in that they write them with words.

John Fowles. "The French Lieutenant's Mistress"

Every poem is a veil stretched out on the points of a few words. These words shine like stars, because of them the poem exists.

Alexander Alexandrovich Blok

The poets of antiquity, unlike modern ones, rarely wrote more than a dozen poems during their long lives. It is understandable: they were all excellent magicians and did not like to waste themselves on trifles. Therefore, behind every poetic work of those times, a whole Universe is certainly hidden, filled with miracles - often dangerous for someone who inadvertently wakes dormant lines.

Max Fry. "The Talking Dead"

To one of my clumsy behemoth poems I attached this heavenly tail:…

Mayakovsky! Your poems do not warm, do not excite, do not infect!
- My poems are not a stove, not a sea and not a plague!

Vladimir Vladimirovich Mayakovsky

Poems are our inner music, clothed in words, permeated with thin strings of meanings and dreams, and therefore drive away critics. They are but miserable drinkers of poetry. What can a critic say about the depths of your soul? Don't let his vulgar groping hands in there. Let the verses seem to him an absurd lowing, a chaotic jumble of words. For us, this is a song of freedom from tedious reason, a glorious song that sounds on the snow-white slopes of our amazing soul.

Boris Krieger. "A Thousand Lives"

Poems are the thrill of the heart, the excitement of the soul and tears. And tears are nothing but pure poetry that has rejected the word.

A bright fly agaric grew in the middle of a forest clearing.
His impudent appearance caught everyone's eye:
- Look at me! There is no more noticeable and there was no toadstool!
Well, how beautiful I am! Beautiful and poisonous!

And the White Mushroom in the shade under the Christmas tree was silent.
That's why no one noticed him...

The moral of the fable "Mushrooms"

The fact that good looks are not proof at all good character in humans - the main idea of ​​the morality of the fable Mushrooms by Sergei Mikhalkov. Indeed, the fly agaric is a very noticeable and bright mushroom, but not tasty and healthy, but poisonous. Wise nature endowed him with a bright hat, not so that everyone thought that he was good inside, but, on the contrary, to warn of his danger.

In a society of people, everything is similar - sometimes people with a beautiful appearance and a pleasant voice are not at all kind and decent. However, it often happens that Beautiful face, a figure, tastefully selected shoes and clothes, as well as a set voice and smooth speech, everyone around believes that this person is both kind and sweet inside.

However, more often than not, this is not the case. And before making any opinion about a new acquaintance, you need to take a closer look, and what is he like inside, which is important for a person only appearance Or is he beautiful on the inside?

The fables of Sergei Vladimirovich Mikhalkov are a good example of the outward brevity of verse and its deep inner philosophy. Choosing a fable genre, the author in a short six-verse expressed the undeniable truth that external attractiveness does not testify to the golden character of a person and certainly was not a measure of the value of his personality.

Outwardly bright, exceptionally elegant, far visible in the clearing, the Amanita will never cease to be an ordinary grebe, a useless and harmful mushroom among others around it. But the noisy pseudo-beauty of Amanita is very dangerous: attracting the attention of inexperienced mushroom pickers and some animals, it poses a threat to their health. By her wise decision, mother nature gave Amanita an elegant hat not to attract people and animals to him. On the contrary, the appearance beautiful mushroom is intended to warn: "I'm dangerous, bypass me!".

Behind the visible part of the fable plot is a life rule - do not trust people who exalt their physical beauty over decency and kindness.

Mikhalkov clearly uses the technique of opposition in the fable when he cites the image of the noble White Mushroom, shyly hushed under the tree. This snippet aptly illustrates hidden meaning folk wisdom: "Silence is gold". But why is such laconicism among the people always highly valued? It is no secret that it is the idle talkers, fools and superficial people who often turn out to be talkative. A sage never imposes his opinion on others and patiently observes how recklessly universal stupidity exposes itself. Yes, and the position "behind the scenes" for the White Mushroom means safety for him (none of the mushroom pickers and animals touch him, keeping him alive under the sun). The world knows many cases when excessive talkativeness threatened people deadly danger. That is why the author and the reader treat the modest White Mushroom with great respect.

From attentive reader who knows how to penetrate the thought between the lines, not a single detail of the fable text, not a single one of the author's conclusions will be hidden. The author seems to invite the reader to try on the fashionable Amanita attire and the modest rags of the White Mushroom, deciding what is closer to him: impudent idle talk or silent wisdom. It is important for a person to understand what he is like, whether he is beautiful in soul, or whether his beautiful clothes hide moral deformity, which repels and frightens everyone who is nearby.

The moral of Mikhalkov's fable is obvious, but ambiguous: on the one hand, wise silence is a guarantee of personal peace, but, on the other hand, this is often the reason for unfair oblivion. From this follows another vital irony: real, smart people often in life it is incredibly difficult to break through to success, they need the help of strong, most adapted to reality people. In this sense, Amanita Mikhalkov in the fable "Mushrooms" significantly outperforms the White Mushroom, and this happens inevitably, to the great regret of the author ...