Analysis of the poem “Still fragrant bliss of spring” by Fet. Analysis of Fet's poem Another fragrant bliss of spring

Composition

A. A. Fet is deservedly and widely known as a subtle lyricist, a sensitive artist, who created bright, unforgettable pictures of nature, reflecting the most difficult experiences human soul. Feta the lyricist was not interested in the social and political problems of our time, for which he, as a representative of “pure art,” was condemned and ridiculed by revolutionary democratic literary figures. The main themes for the poet were “eternal” themes: nature, love, beauty. His poems are musical, his images excite with sounds, smells, they are almost tangible, visible, like beautiful bright moments of life. Fet’s nature is spiritual and harmonious with the human soul; it is interconnected with the mood and attitude of the lyrical hero. As Af himself wrote. Fet in the preface to the third edition of the poems “Evening Lights”, he would like to find in poetry “a refuge from all everyday sorrows,” and such a refuge becomes for him, first of all, nature, its elusive world, permeated with the thought of beauty and eternity.

Poem "It's still spring fragrant bliss…” was written in 1854 by an already famous poet, a recognized master of landscape lyricism. The author paints a picture of just emerging spring, or rather, a foretaste of it:

More fragrant spring bliss

She didn’t have time to come down to us,

The ravines are still full of snow,

Even before dawn the cart rattles

On a frozen path.

The poem is small in volume - it has only three five-line stanzas. Two of them compositionally continue each other, emphasizing winter signs surrounding landscape. The sun warms “barely at noon”, the trees are still transparent and bare, “and the nightingale does not yet dare to occupy the currant bush” - its time has not yet come. But the third stanza is the antithesis of the previous two, and in it there is the main idea a poet who subtly senses the coming awakening of nature:

But the news of rebirth is alive

Already there are in the passing cranes,

And, following them with my eyes,

The beauty of the steppe is standing

With a bluish blush on the cheeks

The feeling of the revival of nature is in the air, it is transmitted to man and projected by the author directly onto man - a steppe beauty who feels the cold, but dreamily awaits spring, as all nature awaits it. This sketch of a living painting conveys one elusive moment, using the artistic means used by the author to create a vivid emotional impression. As always with the author, epithets serve this purpose (“fragrant spring”, “frozen path”, “passing cranes”). A major role in this case is played by syntactic parallelism, which is subordinated, as already mentioned, to the compositional design of the mood of the work. In the first two stanzas, these are repetitions of both individual words (“still”) and the syntactic model chosen by the author. The third stanza, like an antithesis, begins with the conjunction “but” and is expressive means transferring the author's idea to subordinates common goal. Creating an intensely emotional picture of nature, conveying the subtle, almost elusive feeling of the lyrical hero, his joy, the trembling novelty of sensation - these are the features that distinguish Fet’s landscape lyrics and give him the right to be called a subtle artist of nature, an inspired master of poetic creativity.

Thanks to his unique talent, Afanasy Fet could convey in poems the smallest details that most of us do not even pay attention to. The poet could endlessly depict beauty in his lyrics surrounding nature. He speaks not only about things that are familiar to us, about the change of seasons. The author's talent allowed him to observe the subtle, fleeting changes that are happening behind the scenes in the world.

The poetic work “Still fragrant bliss of spring...” is bright that confirmation. It would seem that the streets and roads are still covered with snow. There are no swollen buds or young leaves on the trees. However, the aroma of coming spring is in the air. It has not yet taken full possession of the surrounding territories. But the person feels that its approach is already very close.

The reader is presented with a picture of a late, delayed winter. We also hear nightingale songs that come from the currant bush. Warm Sun rays They warm the earth only at the peak of the solstice - at noon.

In addition, a feature of Afanasy Fet’s landscape lyrics is his talent for describing those natural phenomena that not only characterize changes around, but directly relate to changes in the lands of Russia.

The author pays a lot of attention in rhyming lines to this natural phenomenon like dawn - sunrise. It is during this period that you can catch the brightest, purest colors that shine in all directions. Fet considers this phenomenon mysterious and unusually gentle. The day begins at dawn, just as the rebirth of the earth begins in spring.

1.What are these poems about? What mood does it evoke?

The poems are united by a common theme: they show the premonition of spring as a renewal of life. Both convey a transitional state of nature. Bright, joyful mood.

2.How are the poems structured? What are the features of the composition?

The composition of the poems, with the same movement from nature to man, varies: Tyutchev’s poem is in two parts: the first stanza is a landscape sketch, the second is the philosophical development of the theme, a poetic generalization;

In Fet’s poem, two parts can also be distinguished (as indicated by the conjunction “but” in the third stanza), but the poet does not compare and, especially, does not contrast man and nature, but shows man in unity, in harmony with the world around him.

That is, for Tyutchev the main thing is man, for Fet it is nature.

3.What picture is drawn and by what means in one and the other poem? What do you see the difference in creating the image of reduced nature between Tyutchev and Fet? What is the role of detail in Tyutchev and Fet’s understanding of nature?

In both poems, the images of pre-spring nature are similar, the key words are the same: “spring”, “bliss”. Both poems are impressionistic: the poets do not so much depict the landscape as convey the subjective state of the lyrical hero; it is his feelings that surround the landscape. However, the images of nature in Tyutchev and Fet are significantly different: in Tyutchev, the image of nature gravitates towards abstraction, generality, details are symbolic in nature (“dead stem”, “thinning sleep”, “azure glitters”, “blocks of snow glitter and melt”). In Fet, on the contrary, the images of nature at the level of detail are concrete, objective (“cart”, “ravines are full of snow”, “the linden tree is turning red”, “the birch tree is turning a little yellow”). Artistic media are of the same type: anaphora, epithets, personification, inversion, assonance, syntactic parallelism.

In Tyutchev there is one - the only picture of nature in the poem, in Fet the landscape is given in fragments, split into many pieces.

4.What can you say about the lyrical heroes of the poems?

The lyrical hero of Tyutchev and Fet is distinguished by his attitude towards the nature that reveals itself to him. Although in both poems the lyrical hero rejoices at the arrival of spring, Tyutchev’s landscape is, rather, just a reason to think about a person, about his state of mind. For Fet, the main thing is the beauty of the emerging spring in all even the most ordinary objects, and man is by no means the main part of this world.

5.Compare the poems at the level of use of vocabulary and syntax. What difference do you see?

At the lexical level, the poems differ. Tyutchev uses high-style words: “Stem”, “Azure”, “thinning dream”, “gilds dreams”; Fet, along with high-style words (“descend”, “news”) easily introduces the simplest vocabulary: “cart”, “ bluish blush." For Tyutchev, a generalizing, majestic picture is important, for Fet it is simple and concrete.

At the level of syntax, the poems also differ. In Tyutchev, the philosophical sound of the poem is emphasized by the figure of silence and rhetorical questions, complicated sentences. Fet's poem does not pretend to be philosophically general, which is reflected in the syntax: the sentences are simpler, there are no figures of silence, no rhetorical questions

6.Analyze the rhythm of the poems and draw conclusions. (Complicated type task).

The meter of the poems is the same: iambic tetrameter with complex rhyme. But the poems sound different due to the different stanzas of the poems and the use of pyrrhichs. In Fet, the pace of the poem is lighter, livelier, more energetic; numerous pyrrhichis speed up the pace, and the use of pentaverse with a complex arrangement of rhyming lines stops the reader's attention on individual details. In Tyutchev, the pace of the poem slows down in the second part due to the almost complete absence of pyrrhichs and the transfer of stress (though weakened) to the first syllable in the first foot in the last lines of the poem. The use of octets with cross and ring rhymes also contributes to the rhythm of reflection.

7. What is the result of the lyrical statements of Tyutchev and Fet? What do you see as the commonality and difference of the poetic idea in the poem?

The poetic idea in both poems is close: spring is the rebirth of nature, spring is the awakening of the human soul. In both poems, poetic thought moves from a landscape picture to a person. What poets have in common is a philosophical understanding of man and nature. Tyutchev and Fet have nature - Living being, and man is part of nature. But if for Fet the main thing is the beauty of nature in all its manifestations, and man is in harmony with the world around him, then in Tyutchev man is compared with nature, i.e. is in some discord with her, although in this poem the discord is still almost not felt, there is not yet that tragedy of the relationship between man and nature that will appear in the late Tyutchev.

Effective preparation for the Unified State Exam (all subjects) -

Didactic material

for a literature lesson in 5th grade

Analysis of the poem

“More fragrant bliss of spring”

teacher of Russian language and literature MBOU "Lyceum No. 1"

r.p.Chamzinka Republic of Mordovia

check the level of knowledge of A.A. Fet’s work, the degree of understanding of the poem “Even more fragrant bliss of spring”, its themes, ideas, features of the visual and expressive means of poetic language

A.A.Fet

“More fragrant bliss of spring”

More fragrant spring bliss

She didn’t have time to come down to us,

The ravines are still full of snow,

Even before dawn the cart rattles

On a frozen path.

But the news of rebirth is alive

Already in the migratory cranes,

And, following them with my eyes,

The beauty of the steppe is standing

With a bluish blush on her cheeks.

The linden tree turns red in height,

And the nightingale does not dare yet

Sing in a currant bush.

The leading theme of the poem is:

d) freedom

c) nature;

b) homeland;

How many microthemes can this poem be divided into:

More fragrant spring bliss

She didn’t have time to come down to us,

The ravines are still full of snow,

Even before dawn the cart rattles

On a frozen path.

The sun barely warms at noon,

The linden tree turns red in height,

Through, the birch tree turns a little yellow,

And the nightingale does not dare yet

Sing in a currant bush.

But the news of rebirth is alive

Already in the migratory cranes,

And, following them with my eyes,

The beauty of the steppe is standing

With a bluish blush on her cheeks.

What feeling is conveyed in the line

“More spring fragrant bliss

Didn’t have time to come down to us”?

a) indifference;

b) expectation of change;

c) experience;

d) a premonition of spring

The last stanza of the poem is dedicated to:

a) the arrival of spring;

b) the departure of winter;

c) meeting a beauty;

d) the coming awakening of nature

What is the name of the visual medium used in combinations? "fragrant bliss"

"on the frozen path" :

d) metonymy

a) epithet;

b) metaphor;

For comparison;

Name the key phrase of the poem:

“But the news of rebirth is living

Already in the migratory cranes"

In line

“But the news of rebirth is living

Already in the migratory cranes" used syntactic device. Name this technique:

inversion

What type of lyricism does this poem belong to?

landscape lyrics

Determine the meter in which the poem is written:

More fragrant spring bliss

She didn’t have time to come down to us,

The ravines are still full of snow,

Even before dawn the cart rattles

On a frozen path.

The sun barely warms at noon,

The linden tree turns red in height,

Through, the birch tree turns a little yellow,

And the nightingale does not dare yet

Sing in a currant bush.

But the news of rebirth is alive

Already in the migratory cranes,

And, following them with my eyes,

The beauty of the steppe is standing

With a bluish blush on her cheeks.

• Alieva L.Yu. Literature tests. - M.: Iris-press, 2004
• Berezhnaya I.D. Literature: current control of knowledge, tests, tests, assignments. - Volgograd: Teacher, 2008