Gabdulla tukai shurale in Russian. Museum complex of Gabdulla Tukay. Analysis of the poem "Shurale" by Gabdulla Tukay

There is an aul near Kazan, named Kyrlay.
Even the chickens in that Kyrlai know how to sing... Wonderful land!

Although I'm not from there, but I kept love for him,
He worked on his land - he sowed, reaped and harrowed.

Does he have a reputation for being a big aul? No, on the contrary, it is small,
And the river, the pride of the people, is just a small spring.

This side of the forest is forever alive in memory.
Grass spreads like a velvety blanket.

There the people never knew neither cold nor heat:
The wind will blow in its turn, and the rain in its turn
will go.

From raspberries, strawberries, everything in the forest is variegated, variegated,
You pick up a full bucket of berries in an instant.

Often I lay on the grass and looked at the heavens.
Boundless forests seemed to me a formidable army.

Like warriors stood pines, lindens and oaks,
Under the pine - sorrel and mint, under the birch - mushrooms.

How many blue, yellow, red flowers are there
intertwined
And from them the fragrance flowed in the sweet air.

Moths flew away, flew in and landed,
It was as if the petals were arguing and reconciling with them.

Bird chirping, sonorous babble were heard in silence
And filled my soul with piercing joy.

Here and music, and dancing, and singers, and circus performers,
Here are boulevards, and theaters, and wrestlers, and violinists!

This fragrant forest is wider than the sea, higher than the clouds,
Like the army of Genghis Khan, noisy and powerful.

And the glory of grandfather's names rose before me,
And cruelty, and violence, and tribal strife.

I depicted the summer forest - my verse has not yet been sung
Our autumn, our winter and young beauties,

And the fun of our festivities, and the spring Sabantuy ...
O my verse, do not excite my soul with remembrance!

But wait, I was daydreaming... Here is the paper on the table...
After all, I was going to tell you about the tricks of the shurale.

I'll start now, reader, don't blame me:
I lose all reason, only I remember Kyrlai.

Of course, that in this amazing forest
You will meet a wolf, and a bear, and an insidious fox.

Here, hunters often saw squirrels,
Now a gray hare will rush, then a horned elk will flash.
There are many secret paths and treasures here, they say.
There are many terrible beasts and monsters here, they say.

Many fairy tales and beliefs walk in their native land
And about genies, and about peri, and about terrible shurals.

Is this true? Endless, like the sky, the ancient forest,
And no less than in heaven, maybe in the forest of miracles.

About one of them I will begin my short story,
And - such is my custom - I will sing verses.

Somehow in the night, when, shining, the moon glides in the clouds,
A jigit went from the aul to the forest for firewood.

I drove quickly on the cart, immediately took up the ax,
Knock and knock, he cuts down trees, and all around is a dense forest.

As often happens in summer, the night was fresh and damp.
Silence grew as the birds slept.

The lumberjack is busy with work, know he knocks for himself, knocks,
For a moment, the enchanted horseman forgot.

Chu! Some kind of terrible scream is heard in the distance.
And the ax stopped in a swung hand.

And our agile woodcutter froze in amazement.
He looks and does not believe his eyes. Who is this? Man?

Genie, rogue or ghost this twisted freak?
How ugly he is, involuntarily takes fear.

The nose is curved like a fishhook
Hands, legs - like branches, they will frighten even the daredevil.

Eyes flare viciously, they burn in black cavities.
Even during the day, not like at night, this look will frighten.

He looks like a man, very thin and naked,
The narrow forehead is adorned with a horn the size of our finger.
He has half a arshin fingers on the hands of curves, -
Ten fingers ugly, sharp, long
and straight lines.

And looking into the eyes of a freak that lit up like two fires,
The woodcutter asked boldly, "What do you want from me?"

“Young horseman, don’t be afraid, robbery doesn’t attract me,
But although I am not a robber, I am not a righteous saint.

Why, when I saw you, I let out a cheerful cry?
Because I'm used to tickling people.

Each finger is adapted to tickle more viciously,
I kill a man, making him laugh.

Well, with your fingers, my brother, move,
Play ticklish with me and make me laugh!”
“Okay, I’ll play,” the woodcutter answered him.
Only under one condition... Do you agree or not?

“Speak, little man, please be bold,
I will accept all the conditions, but let's play soon!

“If so - listen to me, how you decide - I don’t care.
Do you see a thick, large and heavy log?

Forest spirit! Let's work together first
Together with you, we will transfer the log to the cart.

Did you notice a big gap at the other end of the log?
There, hold the log stronger, all your strength is needed! .. "

Shurale squinted at the indicated place.
And, without contradicting the horseman, the shurale agreed.

His fingers are long and straight, he put them in the mouth of the log...
Wise men! Can you see the lumberjack's simple trick?

The wedge, pre-plugged, knocks out with an ax,
Knocking out, performs a clever plan in secret.

Shurale will not move, will not move his hand,
He stands, not understanding the clever inventions of man.

So a thick wedge flew out with a whistle, disappeared into the darkness ...
Shurale's fingers pinched and remained in the crack.

Shurale saw the deception, shurale yells, yells.
He calls the brothers for help, he calls the forest people.

With repentant prayer, he says to the jigit:
"Have pity, have pity on me! Let me go, dzhigit!

I will never offend you, dzhigit, or my son.
I will never touch your entire family, O man!

I won't hurt anyone! Do you want me to take an oath?
I will tell everyone: “I am a friend of a horseman. Let him walk in the forest!”

My fingers hurt! Give me freedom! Let me live on earth!
What do you want, jigit, for the profit from the torment of the shurale?

The poor fellow cries, rushes about, whines, howls, he is not himself.
The woodcutter does not hear him, he is going home.

“Is it possible that the cry of the sufferer will not soften this soul?
Who are you, who are you, heartless? What is your name, jigit?

Tomorrow, if I live to see our brother,
To the question: “Who is your offender?” - whose name shall I call?

“So be it, I say, brother. Don't forget this name:
I was nicknamed "The God-Minded One" ... And now it's time for me to go.

Shurale screams and howls, wants to show strength,
He wants to escape from captivity, to punish the woodcutter.

"I will die. Forest spirits, help me quickly!
I pinched Vgoduminuvshiy, the villain ruined me!

And in the morning shurale came running from all sides.
"What's wrong with you? Are you crazy? What are you upset about, you fool?

Take it easy! Shut up! We can't stand screaming.
Pinched in the past year, why are you crying this year?

The fairy tale "Shurale" by the Tatar writer Gabdulla Tukay (1886–1913) is based on folklore material rich in poetic images. Folk art generously nourished the inspiration of the poet throughout his short creative activity.
There are many miracles and funny stories in Tukay's fairy tales. Water witches inhabit lakes, in a dense forest, forest undead easily and freely, preparing intrigues for a careless person. But all his shurales, genies and other forest spirits do not have the character of a mysterious force that darkens people's lives; rather, they are naive and gullible forest creatures, in a collision with which a person always comes out victorious.
In the afterword to the first edition of Shurale, Tukay wrote:
“... it is to be hoped that talented artists will appear among us and draw a curved nose, long fingers, a head with terrible horns, show how shurale's fingers were pinched, paint pictures of forests where goblin lived ...”
Seventy years have passed since the death of the remarkable Tatar poet, since then many artists have sought to fulfill his dream.
The artist Fayzrakhman Abdrakhmanovich Aminov worked for a long time and with enthusiasm on illustrations for Shurala, trying to express in them the artistic richness and national character of the fairy tale.
Born in 1908 near Perm, since childhood, the artist heard and loved Tukay's fairy tales, which, like the fairy tales of A. S. Pushkin, live deeply among the people.
For illustrations, the artist singled out the most striking and characteristic places in the text and leads the viewer through a fascinating fairy tale from sheet to sheet.
Here is the village of Kyrlay. A knowledgeable person can immediately see that it is not simple and the huts there are somehow unusual - they seem to be hiding under the trees, but from whom? The grasses on the outskirts are lush and tall. In such a village, anything can happen, and the forest is nearby ...
So immediately, from the first sheet, the fantastic world of a fairy tale begins. All the details of the illustrations are carefully thought out, the artist persistently searches for his own creative style, and the events of a magical narrative are woven into the finest lace of his graphic language.
In the evening, a young dzhigit rides into the forest, and he seems to be waiting for him, the damp haze rises to meet him, knotted branches-hands are already stretching over the young man, but he calmly rides and dozes.
The forest in Aminov's illustrations is not just a forest, but precisely that impenetrable, fantastic thicket, endowed with witchcraft power, where goblin must certainly be found. The trees either take on the shape of a person, or they stretch twisted branches towards the traveler, reinforcing the impression of an unheard-of thing.
A very special place in the illustrations is occupied by herbs and flowers, which do not exist in nature, they are created by the artist's imagination. With what care each flower is made! However, careful "made" does not interfere with the perception of the picture as a whole. In this painstaking work, the author reveals his great love for nature, his personal, cherished attitude towards it.
From leaf to leaf, the intensity of events grows; a strange voice from the tree calls out to the horseman, and now it is standing in front of him, like an ancient curved root overgrown with moss - shurale. He immediately declares that he has come to tickle him to death with his terrible fingers. But the man outwitted, and now the gullible shurale fills the forest with cries for help.
The composition of this sheet is very interesting: the dark silhouette of the shurale, taken out into the open space, is perfectly readable and at the same time organically merges with the forest. Perhaps, it is in this sheet that the graphic style found by the author is most fully expressed.
And here is the last sheet, it certainly showed the artist's love for a funny joke. With what humor each shurale is depicted!
... Early morning, the fog erases the outlines of the trees, but the tops of the forest have already been gilded by the rising sun. The forest people fled to the screams of the shurale. The old forester raised his curved finger instructively, the other two openly rejoice at someone else's misfortune. For the "injured" - a shuralikha with shuralyaty, shuralyata are still small, they are afraid of everything, but it's so interesting to see! And here is the mischievous woodsman: in order to see better, he hangs himself on a bough - and how touching helplessness is in this "terrible" shural!
Color plays a big role in illustrations. Made in watercolor technique, they are decorated with great taste in light silver colors of various tonalities. The clarity of the composition, beautiful realistic language make the work of the artist Aminov very original and interesting.

"Shurale" by Gabdulla Tukay is one of Leika's favorite books. She generally loves all sorts of horror stories, evil spirits to tickle her nerves. And then the text itself asks to be read aloud, in a singsong voice and with pleasure, and the pictures are amazing.
This old book of 1975 edition was presented to us by anni_lj before it was her book :)

And an amusing text about illustrations, I will give it in full:

"The fairy tale "Shurale" by the Tatar writer Gabdulla Tukay (1886-1913) is written on folklore material, rich in poetic images. Folk art generously nourished the inspiration of the poet throughout his short creative activity.

There are many miracles and funny stories in Tukay's fairy tales. Water witches inhabit lakes, in a dense forest it is easy and free to undead forest, preparing intrigues for a careless person. But all his shurales, genies and other forest spirits do not have the character of a mysterious force that darkens people's lives; rather, they are naive and gullible forest creatures, in a collision with which a person always comes out victorious.

In the afterword to the first edition of Shurale, Tukay wrote: “... it is hoped that talented artists will appear among us and draw a curved nose, long fingers, a head with terrible horns, show how shurale fingers were pinched, paint pictures of forests where there were goblin ... "

Seventy years have passed since the death of the remarkable Tatar poet, since then many artists have sought to fulfill his dream.

The artist Fayzrakhman Abdrakhmanovich Aminov worked for a long time and with enthusiasm on illustrations for Shurala, trying to express in them the artistic richness and national character of the fairy tale.

Born in 1908 near Perm, the artist from childhood heard and loved Tukay's tales, which, like the tales of A.S. Pushkin, live deeply among the people.

For illustrations, the artist singled out the most striking and characteristic places in the text and leads the viewer through a fascinating fairy tale from sheet to sheet.

Here is the village of Kyrlay. A knowledgeable person can immediately see that it is not simple and the huts there are somehow unusual - they seem to be hiding under the trees, but from whom? The grasses on the outskirts are lush and tall. In such a village, anything can happen, and the forest is nearby ...

So immediately, from the first sheet, the fantastic world of a fairy tale begins. All the details of the illustrations are carefully thought out, the artist persistently searches for his own creative style, and the events of a magical narrative are woven into the finest lace of his graphic language.

A young dzhigit is going to the forest in the evening, and he seems to be waiting for him, the damp haze rises to meet him, knotted branches-hands are already stretching over the young man, but he calmly rides and dozes.

The forest in Aminov's illustrations is not just a forest, but precisely that impenetrable, fantastic thicket, endowed with witchcraft power, where goblin must certainly be found. The trees either take on the shape of a person, or they stretch twisted branches towards the traveler, reinforcing the impression of an unheard-of thing.

A very special place in the illustrations is occupied by herbs and flowers, which do not exist in nature, they are created by the artist's imagination. With what care each flower is made! However, careful "made" does not interfere with the perception of the picture as a whole. In this painstaking work, the author reveals his great love for nature, his personal, cherished attitude towards it.

From leaf to leaf, the tension of events grows; a strange voice from the tree calls out to the horseman, and now it is standing in front of him, like an ancient curved root overgrown with moss - shurale. He immediately declares that he has come to tickle him to death with his terrible fingers. But the man outwitted, and now the gullible shurale fills the forest with cries for help.

The composition of this sheet is very interesting: the dark silhouette of the shurale, taken out into the open space, is perfectly readable and at the same time organically merges with the forest. Perhaps, it is in this sheet that the graphic style found by the author is most fully expressed.

And here is the last sheet, it certainly showed the artist's love for a funny joke. With what humor each shurale is depicted!

Early morning, the fog erases the outlines of the trees, but the tops of the forest have already been gilded by the rising sun. The forest people fled to the screams of the shurale. The old forester raised his curved finger instructively, the other two openly rejoice at someone else's misfortune. For the "injured" - a shuralikha with shuralyaty, shuralyata are still small, they are afraid of everything, but it's so interesting to see! And here is the mischievous woodsman: in order to see better, he hangs himself on a bough - and how touching helplessness is in this "terrible" shural!

Color plays a big role in illustrations. Made in watercolor technique, they are designed with great taste in a light silver scale of various tonalities. The clarity of the composition, beautiful realistic language make the work of the artist Aminov very original and interesting.

Shurale by Gabdulla Tukay is one of our favorite books. Children love all sorts of horror stories, evil spirits to tickle their nerves. And here also the text itself asks to be read aloud, in a sing-song voice and with pleasure, and amazing pictures by the artist Fayzrakhman Gabdrakhmanovich Aminov.

This artist has not yet appeared on the pages of the community, so I am happy to show this book, because. I love Aminov the illustrator and Aminov the painter very much.

So, G. Tukay "Shurale". Artist F. Aminov. "Soviet Russia", Moscow, 1975. Translation from Tatar by S. Lipkin.

Article about the artist and illustrations:

"The fairy tale "Shurale" by the Tatar writer Gabdulla Tukay (1886-1913) is written on folklore material, rich in poetic images. Folk art generously nourished the inspiration of the poet throughout his short creative activity.

There are many miracles and funny stories in Tukay's fairy tales. Water witches inhabit lakes, in a dense forest it is easy and free to undead forest, preparing intrigues for a careless person. But all his shurales, genies and other forest spirits do not have the character of a mysterious force that darkens people's lives; rather, they are naive and gullible forest creatures, in a collision with which a person always comes out victorious.

In the afterword to the first edition of Shurale, Tukay wrote: “... it is hoped that talented artists will appear among us and draw a curved nose, long fingers, a head with terrible horns, show how shurale fingers were pinched, paint pictures of forests where there were goblin ... "

Seventy years have passed since the death of the remarkable Tatar poet, since then many artists have sought to fulfill his dream.

The artist Fayzrakhman Abdrakhmanovich Aminov worked for a long time and with enthusiasm on illustrations for Shurala, trying to express in them the artistic richness and national character of the fairy tale.

Born in 1908 near Perm, the artist from childhood heard and loved Tukay's tales, which, like the tales of A.S. Pushkin, live deeply among the people.

For illustrations, the artist singled out the most striking and characteristic places in the text and leads the viewer through a fascinating fairy tale from sheet to sheet.

Here is the village of Kyrlay. A knowledgeable person can immediately see that it is not simple and the huts there are somehow unusual - they seem to be hiding under the trees, but from whom? The grasses on the outskirts are lush and tall. In such a village, anything can happen, and the forest is nearby ...

So immediately, from the first sheet, the fantastic world of a fairy tale begins. All the details of the illustrations are carefully thought out, the artist persistently searches for his own creative style, and the events of a magical narrative are woven into the finest lace of his graphic language.

A young dzhigit is going to the forest in the evening, and he seems to be waiting for him, the damp haze rises to meet him, knotted branches-hands are already stretching over the young man, but he calmly rides and dozes.

The forest in Aminov's illustrations is not just a forest, but precisely that impenetrable, fantastic thicket, endowed with witchcraft power, where goblin must certainly be found. The trees either take on the shape of a person, or they stretch twisted branches towards the traveler, reinforcing the impression of an unheard-of thing.

A very special place in the illustrations is occupied by herbs and flowers, which do not exist in nature, they are created by the artist's imagination. With what care each flower is made! However, careful "made" does not interfere with the perception of the picture as a whole. In this painstaking work, the author reveals his great love for nature, his personal, cherished attitude towards it.

From leaf to leaf, the tension of events grows; a strange voice from the tree calls out to the horseman, and now it is standing in front of him, like an ancient curved root overgrown with moss - shurale. He immediately declares that he has come to tickle him to death with his terrible fingers. But the man outwitted, and now the gullible shurale fills the forest with cries for help.

The composition of this sheet is very interesting: the dark silhouette of the shurale, taken out into the open space, is perfectly readable and at the same time organically merges with the forest. Perhaps, it is in this sheet that the graphic style found by the author is most fully expressed.

And here is the last sheet, it certainly showed the artist's love for a funny joke. With what humor each shurale is depicted!

Early morning, the fog erases the outlines of the trees, but the tops of the forest have already been gilded by the rising sun. The forest people fled to the screams of the shurale. The old forester raised his curved finger instructively, the other two openly rejoice at someone else's misfortune. For the "injured" - a shuralikha with shuralyaty, shuralyata are still small, they are afraid of everything, but it's so interesting to see! And here is the mischievous woodsman: in order to see better, he hangs himself on a bough - and how touching helplessness is in this "terrible" shural!

Color plays a big role in illustrations. Made in watercolor technique, they are designed with great taste in a light silver scale of various tonalities. The clarity of the composition, beautiful realistic language make the work of the artist Aminov very original and interesting.

There is an aul near Kazan, named Kyrlay.
Even the chickens in that Kyrlai know how to sing ... A wondrous land!
Although I'm not from there, but I kept love for him,
He worked on his land - he sowed, reaped and harrowed.
Is he reputed to be a big aul? No, on the contrary, it is small,
And the river, the pride of the people, is just a small spring.
This side of the forest is forever alive in memory.
Grass spreads like a velvety blanket.
There the people never knew neither cold nor heat:
The wind will blow in its turn, and the rain will fall in its turn.
From raspberries, strawberries, everything in the forest is variegated, variegated,
You pick up a full bucket of berries in an instant.
Often I lay on the grass and looked at the heavens.
Boundless forests seemed to me a formidable army.
Like warriors stood pines, lindens and oaks,
Under the pine - sorrel and mint, under the birch - mushrooms.
How many blue, yellow, red flowers intertwined there,
And from them the fragrance flowed in the sweet air.
Moths flew away, flew in and landed,
It was as if the petals were arguing and reconciling with them.
Bird chirping, sonorous babble were heard in silence
And filled my soul with piercing joy.
Here and music and dancing, and singers and circus performers,
Here boulevards and theaters, and wrestlers and violinists!
This fragrant forest is wider than the sea, higher than the clouds,
Like the army of Genghis Khan, noisy and powerful.
And the glory of grandfather's names rose before me,
And cruelty, and violence, and tribal strife.

I depicted the summer forest - my verse has not yet sung
Our autumn, our winter, and young beauties,
And the fun of our festivities, and the spring Sabantuy ...
O my verse, do not excite my soul with remembrance!
But wait, I was daydreaming... Here is the paper on the table...
After all, I was going to tell you about the tricks of the shurale.
I'll start now, reader, don't blame me:
I lose all reason, only I remember Kyrlai.

Of course, that in this amazing forest
You will meet a wolf, and a bear, and an insidious fox.
Here, hunters often saw squirrels,
Now a gray hare will rush, then a horned elk will flash.
There are many secret paths and treasures here, they say.
There are many terrible beasts and monsters here, they say.
Many fairy tales and beliefs walk in their native land
And about gins, and about peri, and about terrible shurals.
Is this true? Endless, like the sky, the ancient forest,
And no less than in heaven, maybe in the forest of miracles.

About one of them I will begin my short story,
And - such is my custom - I will sing verses.
Somehow in the night, when shining, in the clouds, the moon glides,
A jigit went from the aul to the forest for firewood.
I drove quickly on the cart, immediately took up the ax,
Knock and knock, he cuts down trees, and all around is a dense forest.
As often happens in summer, the night was fresh and damp.
Silence grew as the birds slept.
The woodcutter is busy with work, know he knocks for himself, knocks.
For a moment, the enchanted horseman forgot.
Chu! Some terrible cry is heard in the distance,
And the ax stopped in a swung hand.
And our agile woodcutter froze in amazement.
He looks and does not believe his eyes. What is this? Man?
Genie, rogue, or ghost, is that crooked freak?
How ugly he is, involuntarily takes fear!
The nose is curved like a fishhook
Hands, legs - like branches, they will frighten even the daredevil.
Viciously flashing, the eyes in the black cavities are burning,
Even during the day, not like at night, this look will frighten.
He looks like a man, very thin and naked,
The narrow forehead is adorned with a horn the size of our finger.
He has half a arshin fingers on the hands of curves, -
Ten fingers are ugly, sharp, long and straight.

And looking into the eyes of a freak that lit up like two fires,
The woodcutter asked boldly, "What do you want from me?"
“Young dzhigit, don’t be afraid, robbery doesn’t attract me.
But although I am not a robber, I am not a righteous saint.
Why, when I saw you, did I let out a cheerful cry?
Because I'm used to tickling people.
Each finger is adapted to tickle more viciously,
I kill a man, making him laugh.
Well, move your fingers, my brother,
Play ticklish with me and make me laugh!
“Okay, I’ll play,” the woodcutter answered him. —
Only under one condition... Do you agree or not?
- Speak, little man, please be bold,
I will accept all the conditions, but let me play soon!
- If so - listen to me, how you decide - I don't care.
Do you see a thick, large and heavy log?
Forest spirit! Let's work together first.
Together with you, we will transfer the log to the cart.
Did you notice a big gap at the other end of the log?
There hold the log stronger, all your strength is needed! ..
Shurale squinted at the indicated place
And, without contradicting the horseman, the shurale agreed.
His fingers are long and straight, he put them in the mouth of the log...
Wise men! Can you see the lumberjack's simple trick?
The wedge, pre-plugged, knocks out with an ax,
Knocking out, performs a clever plan in secret.
Shurale will not move, will not move his hand,
He stands, not understanding the clever inventions of man.
So a thick wedge flew out with a whistle, disappeared into the darkness ...
Shurale's fingers pinched and remained in the crack.
Shurale saw the deception, shurale yells, yells.
He calls the brothers for help, he calls the forest people.
With repentant prayer, he says to the jigit:
"Have pity, have pity on me!" Let me go, dzhigit!
I will never offend you, dzhigit, or my son.
I will never touch your entire family, O man!
I won't hurt anyone! Do you want me to take an oath?
I will tell everyone: “I am a friend of a horseman. Let him walk in the forest!”
My fingers hurt! Give me freedom! Let me live on earth!
What do you want, zhigit, for the profit from the torment of the shurale?
The poor fellow cries, rushes about, whines, howls, he is not himself.
The woodcutter does not hear him, he is going home.
“Won’t the cry of the sufferer soften this soul?”
Who are you, who are you, heartless? What is your name, jigit?
Tomorrow, if I live to see our brother,
To the question: “Who is your offender?” - Whose name shall I call?
“So be it, I say brother. Don't forget this name:
I was nicknamed "The God-Minded One" ... And now - it's time for me to go.
Shurale screams and howls, wants to show strength,
He wants to escape from captivity, to punish the woodcutter.
- I will die! Forest spirits, help me quickly
I pinched Vgoduminuvshiy, the villain ruined me!
And in the morning shurale came running from all sides.
- What's wrong with you? Are you crazy? What are you upset about, you fool?
Take it easy! Shut up, we can't stand screaming.
Pinched in the past year, why are you crying this year

Translation: S. Lipkin

Analysis of the poem "Shurale" by Gabdulla Tukay

The textbook poem "Shurale" by Gabdulla Tukay is an example of a literary fairy tale inspired by the wealth of national folklore.

The piece dates from 1907. By this time, the young poet was increasingly writing civic lyrics, joining the struggle to alleviate the lot of the people, conducting educational work, and actively publishing. Then he moved to Kazan, to the center of national literary and political life. In terms of genre - a poem, a fairy tale. Steam rhyme. One of the brightest translations of the fairy tale into Russian belongs to the pen of S. Lipkin. The intonation of the narrator is song, tale, spacious. He begins in detail, with a geographic reference of the place where the story took place. As they say, anyone can go and make sure, ask around the old people. Kyrlay is a village where little G. Tukay was happy, albeit not for long. There he became interested in reading, fell in love with nature and tried to compose himself. Further in the lines, folk humor flourishes: "even chickens can sing." A rare virtue in our times. This is followed by a declaration of love for this blessed land, prompted by the grateful memory of childhood. In the second part, the author, with a carefree Pushkin intonation, apologizes to the readers for the lyrical digression from the promised story.

The ancient forest is both a breadwinner and a source of superstitious fear. A young dzhigit in the middle of the night selflessly cuts firewood. Naturally, he is caught in this occupation by a “crooked freak”, an evil and stupid spirit. The portrait of the monster is given in great detail. It turns out that he is one of those freaks that are accustomed to "tickle kill." The innate folk ingenuity helped out the midnight dzhigit here too. Shurale remains with a nose, or rather, without playful clawed fingers pinched by a log. The woodcutter is relentless (who would believe the repentance of an unclean spirit!), and easily repels an attempt to find out his name. The shurales, who have come running to the howl of their brother, are laughing at the pinched "Godmind". A scattering of epithets in the verse: a terrible cry, a fragrant forest (also an inversion). Anaphoras: many here. Epiphora: they say. Enumerations, color writing and sound writing. Comparisons: like the army of Genghis Khan, like the sky, like warriors, like two fires. colorful dialogues. Parenteza (addresses and introductory words): heartless, fool, brother, of course. Inversion: Silence grew. Landscape details (flora and fauna). Apostrophe: oh my verse. Verbs that give dynamism to the plot. Exclamations, questions, interjections. Repeats: have pity, give me who you are. Vocabulary is live, colloquial.

Shurale by G. Tukay is a fairy tale about the victory of the resilient heart of the Tatar people both over the hardships of life and over the tricks of evil spirits.

Gabdulla Tukay

There is an aul near Kazan, named Kyrlay.
Even the chickens in that Kyrlai know how to sing ... A wondrous land!

Although I'm not from there, but I kept love for him,
He worked on his land - he sowed, reaped and harrowed.

Is he reputed to be a big aul? No, on the contrary, it is small,
And the river, the pride of the people, is just a small spring.

This forest side is forever alive in memory.
Grass spreads like a velvety blanket.

There the people never knew neither cold nor heat:
The wind will blow in its turn, and the rain will fall in its turn.

From raspberries, strawberries, everything in the forest is variegated, variegated,
You pick up a bucket full of berries in an instant!

Often I lay on the grass and looked at the heavens.
Boundless forests seemed to me a formidable army.

Like warriors stood pines, lindens and oaks,
Under the pine - sorrel and mint, under the birch - mushrooms.

How many blue, yellow, red flowers intertwined there,
And from them the fragrance flowed in the sweet air.

Moths flew away, flew in and landed,
It was as if the petals were arguing and reconciling with them.

Bird chirping, sonorous babble were heard in silence,
And filled my soul with piercing joy.

I depicted the summer forest - my verse has not yet been sung
Our autumn, our winter, and young beauties,

And the fun of our festivities, and the spring Saban-tuy ...
O my verse, do not excite my soul with remembrance!

But wait, I was daydreaming... here is the paper on the table...
After all, I was going to tell you about the tricks of the shurale!

I'll start now, reader, don't blame me:
I lose all reason, only I remember Kyrlai!

Of course, that in this amazing forest
You will meet a wolf and a bear, and an insidious fox.

Many fairy tales and beliefs walk in their native land
And about gins, and about peri, and about terrible shurals.

Is this true? Endless, like the sky, the ancient forest,
And no less than in heaven, perhaps in the forest of wonders.

About one of them I will begin my short story,
And - such is my custom - I will sing verses.

Somehow in the night, when, shining, the moon glides in the clouds,
A jigit went from the aul to the forest for firewood.

I drove quickly on the cart, immediately took up the ax,
Knock and knock, he cuts down trees, and all around is a dense forest.

As often happens in summer, the night was fresh and damp;
Silence grew as the birds slept.

The woodcutter is busy with work, you know, knocking himself, knocking,
For a moment, the enchanted horseman forgot!

Chu! Some terrible cry is heard in the distance,
And the ax stopped in a swung hand.

And our agile woodcutter froze in amazement.
He looks and does not believe his eyes. Who is this man?

Genie, rogue or ghost, this twisted freak?
How ugly he is, involuntarily takes fear!

The nose is curved like a fishhook
Hands, legs - like branches, they will frighten even the daredevil!

Eyes flash angrily, they burn in black cavities.
Even during the day, not like at night, this look will frighten!

He looks like a man, very thin and naked,
The narrow forehead is adorned with a horn the size of our finger.

He has half a arshin fingers on the hands of curves,
Ten fingers ugly, sharp, long and straight!

And, looking into the eyes of a freak that lit up like two fires,
The woodcutter asked boldly, "What do you want from me?"

“Young horseman, don’t be afraid, robbery doesn’t attract me,
But although I am not a robber, I am not a righteous saint.

Why, when I saw you, did I let out a cheerful cry? -
Because I'm used to tickling people!

Each finger is adapted to tickle more viciously,
I kill a man, making him laugh!

Well, move your fingers, my brother,
Play ticklish with me and make me laugh!”

“Okay, I’ll play,” the woodcutter answered him.
Only under one condition… do you agree or not?”

“Speak, little man, please be bold,
I will accept all the conditions, but let's play soon!

“If so, listen to me, how you decide - I don’t care.
Do you see a thick, large and heavy log?

Forest spirit. Forest sheep. Let's work together.
Together with you, we will transfer the log to the cart.

You will notice a big gap at the other end of the log,
There, hold the log stronger, all your strength is needed!

Shurale squinted at the indicated place,
And, without contradicting the horseman, the shurale agreed.

His fingers are long and straight, he put them into the mouth of the log.
Wise men! Can you see the lumberjack's simple trick?

The wedge, pre-plugged, knocks out with an ax,
Knocking out, performs a clever plan in secret.

Shurale does not move, does not move his hand,
He stands, not understanding the clever inventions of man.

So a thick wedge flew out with a whistle, disappeared into the darkness ...
Shurale's fingers pinched and remained in the crack!

Shurale saw the deception, shurale yells, yells,
He calls the brothers for help, he calls the forest people.

With repentant prayer, he says to the jigit:
“Have pity, have pity on me, let me go, zhigit!

I will never offend you, dzhigit, or my son,
I will never touch your entire family, O man!

I won’t hurt anyone, do you want me to take an oath?
I will tell everyone: “I am a friend of a horseman, let him walk in the forest!”

My fingers hurt! Give me freedom, let me live on earth
What do you want, jigit, for the profit from the torment of the shurale?

The poor fellow cries, rushes about, whines, howls, he is not himself,
The woodcutter does not hear him, he is going home.

“Is it possible that the cry of the sufferer will not soften this soul?
Who are you, who are you, heartless? What is your name, jigit?

Tomorrow, if I live to see our brother,
To the question: “Who is your offender?” - whose name shall I name?
“So be it, I say, brother, do not forget this name:
I was nicknamed "The God-Minded One" ... And now it's time for me to go.

Shurale screams and howls, wants to show strength,
He wants to escape from captivity, to punish the woodcutter.

"I will die! Forest spirits, help me quickly
I pinched Vgoduminuvshiy, the villain ruined me!

And in the morning shurale came running from all sides.
"What's wrong with you? Are you crazy? What are you upset about, you fool?

Calm down, shut up, we can't stand the scream.
Pinched in the past year, why are you crying this year?

The fairy tale "Shurale" by the Tatar writer Gabdulla Tukay (1886–1913) is based on folklore material rich in poetic images. Folk art generously nourished the inspiration of the poet throughout his short creative activity.

There are many miracles and funny stories in Tukay's fairy tales. Water witches inhabit lakes, in a dense forest it is easy and free to undead forest, preparing intrigues for a careless person. But all his shurales, genies and other forest spirits do not have the character of a mysterious force that darkens people's lives; rather, they are naive and gullible forest creatures, in a collision with which a person always comes out victorious.

In the afterword to the first edition of Shurale, Tukay wrote:

“... it is to be hoped that talented artists will appear among us and draw a curved nose, long fingers, a head with terrible horns, show how shurale's fingers were pinched, paint pictures of forests where goblin lived ...”

Seventy years have passed since the death of the remarkable Tatar poet, since then many artists have sought to fulfill his dream.