Poem by A. Fet “Still fragrant bliss of spring” and F. Tyutchev “Still the earth looks sad” (Comparative analysis)
The poem "Still fragrant bliss of spring ..." was written in 1854 by a well-known poet, a recognized master of landscape lyrics. The author paints a picture of only the emerging spring, rather, its premonitions:
Another fragrant bliss of spring
We did not have time to descend,
Still ravines are full of snow,
Still dawn the cart rumbles
On a frozen path
The poem is small in volume - it has only three five-line stanzas. Two of them compositionally continue each other, emphasizing winter signs the surrounding landscape. The sun warms “barely at noon”, the trees are still transparent and bare, “and the nightingale still does not dare to occupy in the currant bush” - its time has not yet come. But the third stanza is the antithesis of the two previous ones, and in it there is the main idea poet, subtly feeling the coming awakening of nature:
But the news of rebirth is alive
And, following their eyes,
There is a beauty of the steppe
With blush bluish cheeks.
The feeling of the rebirth of nature is in the air, it is transmitted to a person and projected by the author directly onto a person - a beauty of the steppe, feeling the cold by herself, but dreamily waiting for spring, as all nature expects her. This sketch of a living picture conveys one elusive moment, creating a vivid emotional impression with the help of the artistic means used by the author. This goal, as always with the author, is served by epithets (“ fragrant spring”, “frozen path”, “flying cranes”). An important role in this case is played by syntactic parallelism, subordinate, as already mentioned, to the compositional idea of the mood of the work.
In the first two stanzas, these are repetitions of both individual words (“still”) and the syntactic model chosen by the author. The third stanza, as an antithesis, begins with the union "but" and is means of expression transfer of the author's idea to subordinates common purpose. The creation of a tensely emotional picture of nature, the transfer of a subtle, almost elusive feeling of a lyrical hero, his joy, a quivering novelty of sensation - these are the features that distinguish Fet's landscape lyrics and give him the right to be called a subtle artist of nature, an inspired master of poetic creativity.
Athanasius
Fet
Analysis of the poem by Afanasy Fet "Still fragrant bliss of spring"
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Another fragrant bliss of spring
We did not have time to descend,
Still ravines are full of snow,
Still dawn the cart rumbles
On a frozen path
“Still fragrant bliss of spring ...” A. Fet
“Still fragrant bliss of spring ...” Afanasy Fet
Another fragrant bliss of spring
We did not have time to descend,
Still ravines are full of snow,
Still dawn the cart rumbles
On a frozen path
As soon as the sun warms at noon,
The linden blushes in height,
Through, the birch tree turns a little yellow,
And the nightingale does not yet dare
Sing in a currant bush.
But the news of rebirth is alive
There are already in the flying cranes,
And, following their eyes,
There is a beauty of the steppe
With blush bluish cheeks.
Analysis of Fet's poem "Still fragrant bliss of spring ..."
From the time of his student days until his death, Fet had three unconditional values: love, nature and poetry. It was these themes that he considered possible to reveal in the lyrics. All other motives were subject to an unspoken taboo. Afanasy Afanasievich's descriptions of nature are an image of the moment through the prism of personal perception. For Fet, it was extremely important to capture a fleeting change. In his poems, the reader is offered not just autumn, summer, spring, winter landscapes. The poet sought to tell about shorter segments of the seasons, transitional states of nature. This can also be seen from the work "Still fragrant bliss of spring ...", first published in 1854 in the Sovremennik magazine. It captures the moment when spring has not yet fully come into its own, but everything around is already imbued with the feeling of its early arrival. Moreover, there are no significant changes in nature yet: frozen roads, unmelted snow, unleafed trees. Nevertheless, on an intuitive level, a person feels the upcoming onset of spring, rejoices in it, and a bright mood reigns in his soul.
In fact, Fet describes the late winter. At the same time, he adds bright spring colors to the landscape: the birch tree turns yellow, the linden blushes. A nightingale singing in a currant bush, the sun, while warming only at noon, are the first signs of the approach of warm days, the coming renewal of nature. The image of spring appears from the denial of its coming and is summarized in the final five-verse, beginning with the words: "But there is already a living message of rebirth ...". In the landscape lyrics of Fet, things that are not too poetic become the subject of art. For example, a bluish blush on the cheeks of a steppe beauty and the currant bush mentioned above. With the help of these precise details, Afanasy Afanasievich makes it clear to readers that before them is not some abstract spring, but spring in Russia.
For the landscape lyrics of Fet, the image of the dawn is important. It symbolizes the fire generated by the sun. At the start of the day, the colors of nature are distinguished by clarity and purity, the rays of the luminary endow the earth with tenderness. In the reflections of dawn - mysterious world to help inspire. Its connection with spring is inseparable. This season is for the earth, as the dawn is for the coming day. As for creative people, spring gives them the opportunity to touch beauty with their hearts, to experience the delight of widespread renewal and rebirth.
a comparative analysis of the poems of Fet "still blissful of spring" and Tyutchev's "the earth still looks sad"
Natalia Chudomeh Master (1878) 8 years ago
Fet, like no one else, knew how to be observant and see how changes are preparing and taking place in the nature around us and the human soul, whether it be the onset of spring or first love.
The poem “Still fragrant bliss of spring ...” captures such a moment in nature when spring has not yet arrived, but the feeling of spring has already arisen. It would seem that nothing has changed in nature: the snow has not melted, the roads are frozen, the trees are without leaves, but according to some small signs and simply intuitively, a person is already waiting for spring and rejoices at its arrival.
Let's look at the initial line “Still fragrant bliss of spring ...”. Fet resorts to one of his favorite figurative expressions - “bliss”. In the modern lexicon, this word seems obsolete, but in the poetic dictionary of the 19th century it was used often, and Fet willingly used it. This is a noun that has the same root as the adjective “gentle”, the verb “to bask”; their semantic meaning is pleasure with a touch of softness, subtlety, grace.
The sound instrumentation is also noteworthy. In the first two verses, sound combinations with the sound [n] stand out.
More fragrant bliss of spring
Didn't get to us.
The picture is refined with some details that depict winter: it is snow, a frozen path. In the second stanza, the sketch continues, the dynamics intensify due to the use a large number verbs, three of which, in addition, are in the position of rhyming: “warms”, “turns yellow”, “dares”. Speaking of winter, Fet introduces bright spring colors into the poem: “dawn”, “blushes”, “turns yellow”. Denying that spring has already come, he seems to bring her arrival closer, mentioning that “the sun is warming”, that the nightingale sings in the currant bush. The image of spring arises from denials and is generalized in the last stanza, which begins with an antithesis: “But the message of rebirth is alive // Already there is ...” The sounds associated with the word “life” acquire a special role: “rebirth”, “living”, “seeing off” .
The poem moves from denial to affirmation and ends with the image of a steppe beauty “with a dove-gray blush on her cheeks.” Fet made the subject of art, in general, not poetic things: a currant bush, a bluish blush. However, these are precise details that allow you to feel and understand that we are not talking about spring in general, but about spring in Russia, which Fet knows and undoubtedly loves, despite all the reproaches of his contemporaries for lack of ideas.
It is interesting to compare this poem with Tyutchev's "The earth still looks sad ...". written much earlier.
Common to Tyutchev and Fet is a philosophical understanding of the unity of man and nature. However, in Tyutchev, especially in early lyrics, images associated with nature tend to be abstract, generalized, conventional. Unlike Tyutchev, in Fet they are more specific at the level of details, often substantive. You will see this if you start from the thematic proximity of the poems, the peculiarities of their construction, the coincidence of individual words, and note the features of the imagery of both poets, the symbolism of details in Tyutchev and their concreteness in Fet. Pay attention to the context in which Tyutchev and Fet use the same key words: “spring”, “bliss”. Compare such images as “dead stem”, “thinning dream” (Tyutchev) and “cart”, “flying cranes” (Fet); “blocks of snow shine and melt” (Tyutchev) and “ravines are full of snow” (Fet). Pay attention to the combinations: “nightingale ... in a currant bush”, “beauty of the steppe”, “with a blue blush” (“high” and “low”).
A poem by A.A. Feta “Still fragrant bliss of spring. »
A.A. Fet is deservedly and widely known as a subtle lyricist, a sensitive artist who created vivid, unforgettable pictures of nature, reflecting the most difficult experiences. human soul. Feta-lyricist was not interested in the social and political problems of our time, for which he, as a representative of "pure art", was condemned and ridiculed by revolutionary democratic literary figures. The main topics for the poet were "eternal" themes: nature, love, beauty. His poems are musical, his images excite with sounds, smells, they are almost tangible, visible, like beautiful bright moments of life. Fet's nature is spiritualized and harmonious with the human soul, it is interconnected with the mood and attitude of the lyrical hero. As Af wrote. Fet in the preface to the third edition of the poems "Evening Lights", he would like to find in poetry "a refuge from all worldly sorrows", and such a refuge becomes for him, first of all, nature, its elusive world, permeated with the thought of beauty and eternity.
The poem “Still fragrant bliss of spring. ” was written in 1854 by a well-known poet, a recognized master of landscape lyrics. The author paints a picture of only the emerging spring, rather, its premonitions:
Another fragrant bliss of spring
We did not have time to descend,
Still ravines are full of snow,
Still dawn the cart rumbles
On a frozen path
The poem is small in volume - it has only three five-line stanzas. Two of them continue each other compositionally, emphasizing the winter signs of the surrounding landscape. The sun warms “barely at noon”, the trees are still transparent and bare, “and the nightingale still does not dare to occupy in the currant bush” - its time has not yet come. But the third stanza is the antithesis of the two previous ones, and it is in it that the main thought of the poet, who subtly feels the coming awakening of nature:
But the news of rebirth is alive
There are already in the flying cranes,
And, following their eyes,
There is a beauty of the steppe
With a blush on the cheeks
The feeling of the rebirth of nature is in the air, it is transmitted to a person and projected by the author directly onto a person - a beauty of the steppe, feeling the cold by herself, but dreamily waiting for spring, as all nature expects her. This sketch of a living picture conveys one elusive moment, creating a vivid emotional impression with the help of the artistic means used by the author. This goal, as always with the author, is served by epithets (“fragrant spring”, “frozen path”, “flying cranes”). An important role in this case is played by syntactic parallelism, subordinate, as already mentioned, to the compositional idea of the mood of the work. In the first two stanzas, these are repetitions of both individual words (“still”) and the syntactic model chosen by the author. The third stanza, as an antithesis, begins with the union "but" and is an expressive means of conveying the author's idea, subject to a common goal. The creation of a tensely emotional picture of nature, the transfer of a subtle, almost elusive feeling of a lyrical hero, his joy, a quivering novelty of sensation - these are the features that distinguish Fet's landscape lyrics and give him the right to be called a subtle artist of nature, an inspired master of poetic creativity.
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Themes of neighboring essays
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Great about verses:
Poetry is like painting: one work will captivate you more if you look at it closely, and another if you move further away.
Little cutesy poems irritate the nerves more than the creak of unoiled wheels.
The most valuable thing in life and in poetry is that which has broken.
Marina Tsvetaeva
Of all the arts, poetry is most tempted to replace its own idiosyncratic beauty with stolen glitter.
Humboldt W.
Poems succeed if they are created with spiritual clarity.
The writing of poetry is closer to worship than is commonly believed.
If only you knew from what rubbish Poems grow without shame... Like a dandelion near a fence, Like burdocks and quinoa.
A. A. Akhmatova
Poetry is not in verses alone: it is spilled everywhere, it is around us. Take a look at these trees, at this sky - beauty and life breathe from everywhere, and where there is beauty and life, there is poetry.
I. S. Turgenev
For many people, writing poetry is a growing pain of the mind.
G. Lichtenberg
A beautiful verse is like a bow drawn through the sonorous fibers of our being. Not our own - our thoughts make the poet sing inside us. Telling us about the woman he loves, he delightfully awakens in our souls our love and our sorrow. He is a wizard. Understanding him, we become poets like him.
Where graceful verses flow, there is no place for vainglory.
Murasaki Shikibu
I turn to Russian versification. I think that over time we will turn to blank verse. There are too few rhymes in Russian. One calls the other. The flame inevitably drags the stone behind it. Because of the feeling, art certainly peeps out. Who is not tired of love and blood, difficult and wonderful, faithful and hypocritical, and so on.
Alexander Sergeevich Pushkin
- ... Are your poems good, tell yourself?
- Monstrous! Ivan suddenly said boldly and frankly.
- Do not write anymore! the visitor asked pleadingly.
I promise and I swear! - solemnly said Ivan ...
Mikhail Afanasyevich Bulgakov. "The Master and Margarita"
We all write poetry; poets differ from the rest only in that they write them with words.
John Fowles. "The French Lieutenant's Mistress"
Every poem is a veil stretched out on the points of a few words. These words shine like stars, because of them the poem exists.
Alexander Alexandrovich Blok
The poets of antiquity, unlike modern ones, rarely wrote more than a dozen poems during their long lives. It is understandable: they were all excellent magicians and did not like to waste themselves on trifles. Therefore, behind every poetic work of those times, a whole Universe is certainly hidden, filled with miracles - often dangerous for someone who inadvertently wakes dormant lines.
Max Fry. "The Talking Dead"
To one of my clumsy behemoth poems I attached this heavenly tail:…
Mayakovsky! Your poems do not warm, do not excite, do not infect!
- My poems are not a stove, not a sea and not a plague!
Vladimir Vladimirovich Mayakovsky
Poems are our inner music, clothed in words, permeated with thin strings of meanings and dreams, and therefore drive away critics. They are but miserable drinkers of poetry. What can a critic say about the depths of your soul? Don't let his vulgar groping hands in there. Let the verses seem to him an absurd lowing, a chaotic jumble of words. For us, this is a song of freedom from tedious reason, a glorious song that sounds on the snow-white slopes of our amazing soul.
Boris Krieger. "A Thousand Lives"
Poems are the thrill of the heart, the excitement of the soul and tears. And tears are nothing but pure poetry that has rejected the word.
The writing
A. A. Fet is deservedly and widely known as a subtle lyricist, a sensitive artist who created vivid, unforgettable pictures of nature, reflecting the most difficult experiences of the human soul. Feta-lyricist was not interested in the social and political problems of our time, for which he, as a representative of "pure art", was condemned and ridiculed by revolutionary democratic literary figures. The main topics for the poet were "eternal" themes: nature, love, beauty. His poems are musical, his images excite with sounds, smells, they are almost tangible, visible, like beautiful bright moments of life. Fet's nature is spiritualized and harmonious with the human soul, it is interconnected with the mood and attitude of the lyrical hero. As Af wrote. Fet in the preface to the third edition of the poems "Evening Lights", he would like to find in poetry "a refuge from all worldly sorrows", and such a refuge becomes for him, first of all, nature, its elusive world, permeated with the thought of beauty and eternity.
The poem "Still fragrant bliss of spring ..." was written in 1854 by a well-known poet, a recognized master of landscape lyrics. The author paints a picture of only the emerging spring, rather, its premonitions:
Another fragrant bliss of spring
We did not have time to descend,
Still ravines are full of snow,
Still dawn the cart rumbles
On a frozen path
The poem is small in size - it has only three five-line stanzas. Two of them continue each other compositionally, emphasizing the winter signs of the surrounding landscape. The sun warms "barely at noon", the trees are still transparent and bare, "and the nightingale still does not dare to occupy in the currant bush" - its time has not yet come. But the third stanza is the antithesis of the two previous ones, and it is the main the thought of the poet, subtly feeling the coming awakening of nature:
But the news of rebirth is alive
There are already in the flying cranes,
And, following their eyes,
There is a beauty of the steppe
With a blush on the cheeks
The feeling of the rebirth of nature is in the air, it is transmitted to a person and projected by the author directly onto a person - a steppe beauty who feels the cold by herself, but dreamily expects spring, as all nature expects her. This sketch of a living picture conveys one elusive moment, creating a vivid emotional impression with the help of the artistic means used by the author. This goal, as always with the author, is served by epithets (“fragrant spring”, “frozen path”, “flying cranes”). An important role in this case is played by syntactic parallelism, subordinate, as already mentioned, to the compositional idea of the mood of the work. In the first two stanzas, these are repetitions of both individual words (“still”) and the syntactic model chosen by the author. The third stanza, as an antithesis, begins with the union "but" and is an expressive means of conveying the author's idea, subject to a common goal. The creation of a tensely emotional picture of nature, the transmission of a subtle, almost elusive feeling of a lyrical hero, his joy, a quivering novelty of sensation - these are the features that distinguish Fet's landscape lyrics and give him the right to be called a subtle artist of nature, an inspired master of poetic creativity.
In a poem by A.A. Fet recreated the picture of the beginning of spring. She has not yet come into her own, but the poet sees her signs in the nature around him. This picture is helped to create unity of command, three of the five lines of the first stanza begin with the word "still" and describe the signs of winter around the poet.
Signs of winter are conveyed through the epithets used by the author of the "frozen path", an interesting metaphor used by the author, conveying the picture winter morning("dawn rattles the cart"). Syntactic parallelism helps to convey a sense of expectation, to create the necessary emotional picture.
But spring is getting closer. In the second verse, the image of the warming sun appears. Let it come into its own "barely at noon", and the nightingale does not dare to sing in the "currant bush", but the author feels the growing changes in his gut.
The last stanza is the antithesis of the first two. The lyrical hero experiences a feeling of jubilation when he sees and hears the cranes returning home. For him, they became the heralds of the revival of nature ("living news"), its awakening by spring. His feelings are merged with the feelings of nature, waiting for awakening, and that is why the "beauty of the steppe" stands with tears in her eyes, tears of joy and relief from the fact that the whole world will soon awaken to a new life.
Poetic devices: inversion, epithets, metaphors, antithesis, anaphora.
Despite the fact that the poem belongs to landscape lyrics, it is imbued with the feelings of a lyrical hero in every word, and it is for this quality that A.A. Fet was recognized as a sensual artist of nature.
Option 2
When you read Fet's poems, you often get the feeling that he lived somewhere in another world. Or maybe in the 19th century the world really was different, joyful and carefree? It seems as if Fet did not feel suffering and worries and therefore wrote only about birds and flowers.
In fact, the world, of course, was not significantly different, and Fet himself probably had life's difficulties and unrest. It is even possible to believe that the poet not only had some difficulties, but also felt the suffering and troubles of this world more sensitively and vividly compared to most people.
That is why he chose sublime themes for his own lyrics and wrote mostly about nature and love. Beauty in every aspect was the main protagonist of his lyrics. As he postulated in another of his works, “and you seek in vain to find its beginning”, we are talking about beauty, which is not possible to fully explore and comprehend.
Nevertheless, the poet considered it necessary to write about beauty. To influence the world with beauty, to express the highest ideals and feelings through your works. With these concepts, he also associated his own ideas of transforming the world and man, as well as an understanding of the role of man in this world.
“Still fragrant bliss of spring ...” is a poem that refers to landscape lyrics and was written at the beginning of the second half of the 19th century. Here we consider the period when the arrival of spring is only felt. Almost everyone has felt this feeling and it is really amazing, it deserves to be expressed on paper, it deserves to be reflected in poetry.
Outwardly, spring is far away, it exists only in its own potency. For example, the roads are frozen, the trees are bare. Nevertheless, the mood, despite all these circumstances, is joyful, as there is an understanding of the approach of spring.
In order to emphasize the transition process, Fet uses some details that seem to hint: a reddening linden, a yellowing birch. warm days only approaching, but during the day there is some warmth that is felt. All these details are summarized in the final part and formulated in the line: “But there is already a living message of rebirth ...”.
Also in the final poem, one should note the image of a steppe beauty, which can be interpreted both as a metaphor and as a young maiden, who, among other things, personifies the beginning of spring. The poet clearly highlights the “blue blush” on the cheeks, which speaks of the cold, but is also a sign of vitality, activity. Over time, really winter days will recede and we will see spring, the signs of which are just beginning to appear in nature.
Analysis 3
For Afanasy Fet, throughout his life there were three constant values, about which he wrote poetic lines and dedicated works. He imposes a taboo on all other topics and motives; social and political issues are not consecrated in his works. Most The lyrics are occupied by the description of nature, which the poet passes through the prism of his perception. Fet tries to capture every even fleeting change that affects his soul.
The poem "Still fragrant bliss of spring ...", which was published by the author in 1854, is one of those where the author describes the fleeting period of one of the seasons and the state of nature in this moment. The author describes a period of time when nature is changing and spring should soon enter into legal rights. But at the same time, the lyrical hero is overwhelmed with the feeling that all the snow will soon melt, and the flowers will begin to bloom. He hopes that similar changes will touch his soul, which will be able to start all over again, will allow it to flourish.
The description lends itself to late winter, while in the landscape one can see bright colors, you can see how the birch turns yellow, and the linden is gaining red. A nightingale sings in the currant bush, and the sun is already beginning to warm at noon. All this portends that the warm season will soon come, and nature will be renewed again.
The author creates an image of spring, denying its arrival as a whole. For Afanasy Fet, various little things become the subject of art, for example, the blush on the cheeks of a girl or the same currant bush. Thanks to the little things described, the reader understands that this work describes spring in Russia, and not in any other place.
In landscape lyrics, the poet often uses the image of the dawn. For him, she is like fire, which can only be generated by the sun. As soon as the day begins, the dawn is endowed with clarity and purity, and the rays fall on the ground with special tenderness. The whole world in the dawn is like a completely different phenomenon, it helps to give birth to inspiration, so the dawn is inextricably linked with the arrival of spring.
Spring for the poet is like a dawn, the beginning of a new day, the beginning of everything new. He is in anticipation of the new, the beginning of feelings and experiences that will bring him inspiration and new vitality. He rejoices at the arrival of spring, which comes every year and gives strength to live.
Analysis of the poem Another fragrant bliss of spring according to plan
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Didactic material
to the lesson of literature in grade 5
Analysis of the poem
"Still fragrant bliss of spring"
teacher of Russian language and literature, MBOU "Lyceum No. 1"
r.p.Chamzinka of the Republic of Mordovia
to check the level of knowledge of A.A. Fet’s creativity, the degree of understanding of the poem “Still fragrant bliss of spring”, its themes, ideas, features of the figurative and expressive means of the poetic language
A.A. Fet
"Still fragrant bliss of spring"
More fragrant bliss of spring
We did not have time to descend,
More ravines are full of snow
The cart still rumbles at dawn
On a frozen path
But the news of rebirth is alive
There are already in the flying cranes,
And, following their eyes,
There is a beauty of the steppe
With blush bluish cheeks.
The linden blushes in height,
And the nightingale does not dare yet
Sing in a currant bush.
The leading theme of the poem is:
d) freedom
c) nature;
b) homeland;
How many microthemes can this poem be divided into:
More fragrant bliss of spring
We did not have time to descend,
More ravines are full of snow
The cart still rumbles at dawn
On a frozen path
As soon as the sun warms at noon,
The linden blushes in height,
Through, the birch tree turns a little yellow,
And the nightingale does not dare yet
Sing in a currant bush.
But the news of rebirth is alive
There are already in the flying cranes,
And, following their eyes,
There is a beauty of the steppe
With blush bluish cheeks.
What feeling is conveyed in the line
“Still fragrant bliss of spring
Didn't have time to come down to us"?
a) indifference
b) expectation of change;
c) experience;
d) anticipation of spring
The last stanza of the poem is:
a) the arrival of spring;
b) the departure of winter;
c) meeting with a beauty;
d) the coming awakening of nature
What is the name of figurative medium used in combinations "fragrant bliss"
"on a frozen path" :
d) metonymy
a) an epithet;
b) metaphor;
For comparison;
Name the key phrase of the poem:
“But the news of rebirth is alive
There are already in the flying cranes "
In line
“But the news of rebirth is alive
There are already in the flying cranes " used syntactic device. Name this trick:
inversion
What type of lyric is this poem?
landscape lyrics
Determine the size of the poem:
More fragrant bliss of spring
We did not have time to descend,
More ravines are full of snow
The cart still rumbles at dawn
On a frozen path
As soon as the sun warms at noon,
The linden blushes in height,
Through, the birch tree turns a little yellow,
And the nightingale does not dare yet
Sing in a currant bush.
But the news of rebirth is alive
There are already in the flying cranes,
And, following their eyes,
There is a beauty of the steppe
With blush bluish cheeks.
- Alieva L.Yu. Literature tests. - M.: Iris-press, 2004
- Berezhnaya I.D. Literature: current control of knowledge, tests, tests, assignments. - Volgograd: Teacher, 2008