Mark Zakharov biography personal life. Mark Zakharov: biography, personal life, creativity and interesting facts. Work in the theater and participation in films

Mark Zakharov is one quarter Jewish, because his paternal grandmother was a Karaite Jew. But he always considered himself a truly Russian man, a true patriot of his homeland. He became a living legend of Soviet cinema, directed several dozen films that have enjoyed success with viewers throughout for long years. He himself wrote scripts for his films and staged plays in the theater. From 1973 to the present day he has been the head of the famous Lenkom.

Mark Zakharov is known as famous director and the director who shot such cult films as “12 Chairs”, “ An ordinary miracle", "Formula of Love", "Kill the Dragon".

Childhood and youth

Mark Zakharov was born on October 13, 1933 in Moscow. My father’s name was Anatoly Shirinkin, during the years of the revolution he was a cadet in the cadet corps in Voronezh. Despite the fact that his father was a nobleman, Anatoly joined the Red Army and went through the entire civil war with it. He didn't have permanent job, so the man worked part-time in different places. Mother Galina Bardina was a graduate of Zavadsky’s theater studio and led children’s drama classes. She died at fifty-four, the cause of death being heart failure. My grandfather on my mother’s side served with, and after the war he emigrated to Australia. Maternal grandmother Sofia Bardina did not leave with her husband, she continued to work in orphanage for the position of manager.

Mark's parents met in 1931. A year after the birth of his son, Anatoly Shirinkin was arrested, without even looking at his Red Army past. He was accused under Article 58 and sent into exile for three years. Mom never became an actress; she left her theater and followed her husband.

In 1943, their maternal grandmother, Sofya Nikolaevna, died, and they managed to get permission to return to the capital. They settled in two rooms of a communal apartment, which they barely begged for, and hard, half-starved everyday life began.

My father managed to get a job guarding the Moscow garrison, but he was again sentenced to eviction as a former prisoner under a political article. At that time, my mother got a job in a drama club and worked with children. She took Mark with her.

The teenager really liked being in puppet theater Obraztsova. He made it to all his performances, at the same time attended his mother’s drama club and found time to study in the theater group at the House of Pioneers. I went to the circle with him.

After graduating from school, Mark still didn’t know where to go. Mom was immediately categorically against him entering the theater school, saying that a man’s profession should be serious. He brought the documents to admissions committee Institute of Architecture, but didn’t score well in the exams and couldn’t pass the competition. Then his goal was the Military Engineering Academy, but after checking his “pedigree” the boy was rejected because of his father. And then one day my mother radically changed her opinion about the theater university. The woman saw some kind of dream, which she considered prophetic, and strongly recommended that her son enroll in a theater institute.

Mark was only delighted by his mother’s blessing and went to try out for the Moscow Art Theater. For his speech, he prepared “Heather Honey”, read it so loudly and with inspiration, but the selection committee was not interested. Then, with the help of his mother, he prepared “The Song of the Merchant Kalashnikov” and went to storm GITIS. This time the attempt was successful.

Theater

My creative biography Mark Zakharov started in the theater. He was invited there back in student years, and from the second year he was involved in supporting roles. After receiving a diploma from GITIS, Zakharov was assigned to the troupe of the Perm Drama Theater.

He devoted three years to this theater, and during this time he began to develop in several other directions. To a young man I liked to write and draw. Particularly successful were his cartoon sketches, which periodically appeared on the pages of the local press. He found a job on the radio and organized various skit parties with his friends. It was in Perm that Zakharov had his first experience as a director. Mark began to realize what he might be finding mutual language with the cast, they listen to him, they understand him. And he was full of ideas that were waiting to be implemented.

In 1959, Zakharov moved to Moscow. His wife, actress Nina Lapshina, came with him, with the help of whom he finds work at the theater. Gogol. He increasingly has a desire to take up writing literary works, and he decides to try himself in this type of creativity.

Mark Zakharov had the talent to subtly capture human nature and play it with humor, which is why his productions “Hoax”, “Barbarian and Heretic” turned out to be so interesting. In 1964, he realized that he was standing at a certain point, after which he needed to change something in his life. As an actor, he is no longer attracted by the stage; he wants something more. Mark Zakharov is interested in directing, and he puts all his strength into this field.

Zakharov’s debut production as a director was “Dragon”, which was presented on the stage of the student theater of Moscow State University. Zakharov uses this work by Schwartz again when, in 1988, he decides to shoot a film called “How to Train Your Dragon.” It was the stage of this theater that became the beginning of Zakharov’s dizzying directorial career. She saw a lot of it successful projects, which were enthusiastically received by both viewers and critics.

In 1965, Zakharov got a job at the Moscow Satire Theater. Zakharov’s most famous production, “Profitable Place,” was performed on this stage. Forty performances were given, and then the authorities considered the hint in it and banned it. The same fate awaited the comedy “Banquet”, which became no less popular and beloved by the audience.

In 1973, Mark Zakharov was offered to become the director of the Lenkom Theater. He still holds this position to this day.

Mark Zakharov is an opponent of television versions of theatrical productions, which have become so fashionable in Lately. He believes that with the help of technology it is possible to achieve many effects, but the atmosphere that is present in the hall, that direct contact between the artists and the audience, is possible only on the theater stage.

Movies

1976 became the debut year for Mark Zakharov in cinema. He filmed his famous “12 chairs”, in leading role involved, and the result was a real film masterpiece.

The next film even surpassed the previous one in popularity. Zakharov directed the film “An Ordinary Miracle,” in which he played the main character, and again found himself at the peak of popularity and fame. His films are watched and rewatched many times; people of different generations like them. And Mark Zakharov’s performances are considered the standard of Russian directorial excellence.

In 1983, the Lenkom Theater toured Paris. They brought their “Juno and Avos”, which the audience rated at the highest level. In 1989, Mark Zakharov took the deputy seat; he was a member of the Communist Party, but left it in an original way- He burned his membership card in front of everyone.

Personal life

In the personal life of actor and director Mark Zakharov there was only one woman - Nina Lapshina, whom he married in 1956. In 1962, their daughter Alexandra was born. Nina took part in her husband’s film “12 Chairs”, where she became the wife of Father Fyodor.

The daughter continued the dynasty, and today she is one of the leading actresses of the Lenkom Theater, she was awarded the title of People's Artist of the Russian Federation. Alexandra starred in her father’s films “Kill the Dragon” and “Formula of Love.” The director's wife died in 2014.

Mark Zakharov now

Recently, Mark Zakharov has had to participate in proceedings related to the theater’s repertoire. In 2016, the production “The Prince”, directed by . The director himself announced this on social networks. After the premiere of this performance, a real scandal broke out in the theater community.

On this occasion, Mark Zakharov gave an interview and said that he had to review the theater’s repertoire and remove from it all productions that were not popular with the audience. “Prince” was among them, because there were not enough spectators in the hall. At the same time, he noted that this is a temporary measure, and the performance itself will not be permanently removed from the repertoire, it will simply be “mothballed” for a while.

Mark Zakharov is interested not only in life in the theater; he often speaks out on topical topics. This was exactly the kind of statement the director made in 2016, with which he addressed the press. The question concerned the level of development national science and industrial growth. Zakharov emphasized that the future of the country largely depends on politics, national idea and the spirit of patriotism, and called for the development of precisely these qualities in young people.

Death

On September twenty-eighth, 2019, in Moscow, at the age of 85, Mark Anatolyevich Zakharov died. The cause of death was repeated pneumonia. Earlier, at the end of August, Mark Anatolyevich was in the hospital with a diagnosis of bilateral bronchopneumonia. The heads of state and the Chairman of the Union of Theater Workers, Alexander Kalyagin, expressed their condolences regarding his death.

Selected filmography

• 1972 - Train stop - two minutes
• 1976 - 12 chairs
• 1978 - An Ordinary Miracle
• 1979 - That Munchausen
• 1982 - The House That Swift Built
• 1984 - Formula of Love
• 1988 - Kill the Dragon

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On the eve of his anniversary, all leading media outlets began to actively write about his biography, personal life and children. This is a man of the era, who created his own unique theater, gathered leading folk artists into a troupe and invested in the development Russian culture huge contribution.

His films are widely quoted, viewers watch his cult films all the time, and the legendary rock opera “Juno and Avos” has been staged with constant success for more than 20 years.

Biography

Mark Anatolyevich Shirinkin (this is the last name he received at birth) was born on October 13, 1933 in the family of Galina Sergeevna Bardina and Anatoly Shirinkin. Both of his parents are of noble origin. Mother's grandfather fought for the whites against Kolchak and emigrated to Australia after the Civil War.

Read also: Kokorin and Mamaev: court decision

In 1941, he volunteered for the front, and after the war he continued to serve in the garrison of the capital. In 1949, he was again sent into exile due to his noble origin and criminal record.

The love of theater was instilled in little Mark by his mother Galina Sergeevna, who herself studied at theater school the famous Yuri Zavadsky and then taught in children's theater groups. She passed away at the age of 54, dying suddenly of a broken heart. She drove little son V theater studio at the Moskvoretsky House of Pioneers, in which the future famous film director and screenwriter Andrei Tarkovsky studied together with Mark.

In his memoirs about his childhood, Mark Anatolyevich says that he was not interested in school, and he studied poorly. I was able to improve my grades only in high school in order to get a good certificate.

He liked most of all to communicate with his father during general walks and activities, when he talked about Moscow and various local legends of the cities where the family lived during two exiles.

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Despite his passion for theater, after school the young man tried to acquire a more mundane profession by submitting documents to the Civil Engineering Institute. Kuibysheva. But he did not score the required number of points and, at the insistence of his mother, entered GITIS in the acting department in 1951. He completed his studies in 1955 and was sent to the Perm Drama Theater.

Creative career of theater and film director

Zakharov began his first directing classes at Perm University in 1956, where he led a theater studio for students. After returning to the capital, he continued to stage amateur performances, getting a job with the help of his young wife, actress Nina Lapshinova, as the head of the drama club of the Machine Tool Institute.

yandex_ad_2 Also in 1959, he entered service at the theater. Gogol. In 1960 he moved to the Moscow Theater of Miniatures, where at that time the main director was the writer Vladimir Polyakov.

Communication with him gave the necessary impetus for literary creativity Mark Zakharov, who managed to creative life write many scripts and several books dedicated to theatrical life Moscow.

In 1964, he left the miniature theater where his wife worked. Leaving was a risky undertaking, since Zakharov finally broke with the profession of an actor, deciding to devote his life to directing. His first creative laboratory was the famous student theater of Moscow State University. Here too, the wife fully supported her husband’s decision.

Successful work in amateur theater attracted the attention of the capital's theater community.

He was invited to the satire theater in 1965, where in 1967 he staged his first performance with a professional cast - “A Profitable Place” by A. N. Ostrovsky.

Two years later, together with young satirical writers A. Arkanov and G. Gorin, they staged the comedy “Banquet”.

It was after this performance that a strong creative union was formed between director Zakharov and writer Gorin, which lasted until the latter’s death.

Despite the enormous success, both productions were very soon removed from the theater’s repertoire due to ideological overtones. It was a difficult period for the young director, but he was supported by his venerable colleague - the chief director of the Mayakovsky Theater - Goncharov. He invited the disgraced director to his place to stage the play “Destruction” based on the novel of the same name by A. Fadeev.

In 1973, he became artistic director of the theater. Lenin's Komsomol, which became his main brainchild. It was there that he gathered an incredible number of brilliant Soviet actors, on whom the entire repertoire of Lenkom was based.

The most notable theatrical event of that era is still talked about:

"The Star and Death of Joaquin Murietta";

the play “Not on the Lists”;

"Cruel Games";

"Juno and Avos";

"Funeral Prayer"

Zakharov gathered in his troupe the best actors of the Soviet theater and cinematography school:

Nikolai Karachentsev;

Evgenia Leonova;

Alexandra Abdulova;

Alexandra Rakina.

All Lenkom performances of that time became real masterpieces of Soviet theatrical art.

Work in film and television

Zakharov was able to create not only theatrical masterpieces, but also cinematic and television films that have become iconic. Several generations of viewers have admired films such as:

"12 chairs"

"Ordinary miracle";

"Love Formula";

"The same Munchausen."

Zakharov himself wrote the script for many films - not only for his own works, but also for films shot by other directors.

In his personal life, the master turned out to be very happy. My future wife he met while studying at GITIS while working on a student wall newspaper. At first, the relationship did not go beyond friendship.

But after Mark saw Nina with another young man, he immediately proposed to her.

The young couple waited a long time for children; their only daughter, Alexandra, was born only in the fifth year of their marriage.

Mark Zakharov's wife always supported her husband in everything and was his muse. That is why the death of Nina Tikhonovna in 2014 as a result of a serious and long-term illness at the age of 83 was a great loss for Mark Anatolyevich himself and his daughter Alexandra.

In public photographs, Mark Anatolyevich Zakharov was rarely photographed with his wife Nina Tikhonovna, since she was a theater actress who was practically never filmed. Viewers can see her only in one film of her husband - “12 Chairs”, where she talentedly played the episodic role of the wife of Father Fyodor.

Daughter Alexandra has no children, as the marriage was not very successful. The couple separated without having a child. Alexandra devotes herself entirely to the stage. She already has the title of People's Actress of Russia and works in her father's theater.

Mark Anatolyevich Zakharov is an outstanding director who created a theater that has sold out houses for 45 years, director of so many beloved films by the people: “12 Chairs”, “An Ordinary Miracle”, “That Same Munchausen”, “Formula of Love”. These paintings entered the golden fund of Russian culture.

Date of Birth: October 13, 1933
Place of Birth: Moscow, RSFSR, USSR
Zodiac sign: Scales

Biography of Mark Zakharov

The future famous director was born in a communal apartment on Krasnaya Presnya in the family of Anatoly Shirinkin (as some sources on the Internet write) and Galina Bardina. My father studied at the Voronezh Cadet Corps and served 58 years of prison time for counter-revolutionary activities. After his release, he was prohibited from living in the capital for a long time.

In her youth, Mark’s mother dreamed of becoming an actress and even graduated from the theater studio of Yu. A. Zavadsky. But her acting destiny did not work out. But she taught children in drama clubs.

When the war began, Mark was 8 years old. They, along with their mother and grandmother Sophia, were sent for evacuation to the Tatar Autonomous Soviet Socialist Republic, to Chistopol, where, by the way, poets and writers found shelter during the war: Boris Pasternak, Marina Tsvetaeva, Leonid Leonov, Arseny Tarkovsky.

When Mark's family returned from evacuation, the two rooms in which they lived before the war were occupied by other people. And the neighbor let them in to live with her.

Mark Zakharov and theater

First theatrical performance, which made a magical impression on 7-year-old Marik, was “ Blue bird"at the Moscow Art Theater. Grandmother Sophia brought him there.

This performance made a stunning impression on the boy; he became interested in theater and began studying in a drama club.

Then, after graduating from school, young Marik first rushed to MISS, but did not get any points. And then he submitted documents to the Moscow Art Theater School, where Associate Professor G.V. Christie advised Mark not to become an artist, saying it wasn’t his thing. But Mark Anatolyevich is not offended by the master.

Zakharov was a stubborn guy, he entered GITIS. Having received an acting diploma in 1955, he enthusiastically set off to conquer the stage of the Perm drama. Here Zakharov first tried his hand at directing and met his future wife Nina Tikhonovna Lapshinova.

In 1959, the couple returned to Moscow together. Mark Anatolyevich played and directed on the stages of the student theater of Moscow State University, the Moscow Theater of Miniatures, where he was seen by the then famous theater director Valentin Nikolaevich Pluchek, who headed the Satire Theater. He invited Zakharov to stage plays. Mark Anatolyevich himself understood that he was an ordinary artist, but he knew and understood something about directing, so he agreed.

But in the theater he was not received with open arms. Tatyana Ivanovna Peltzer even said: “Why, as soon as a person doesn’t know how to do anything, he immediately goes into directing.” However, later Tatyana Ivanovna became Mark Anatolyevich’s favorite actress, and he became her favorite director, whom she followed to the Lenin Komsomol Theater. Zakharov worked at the Satire Theater from 1965 to 1973.
Artistic director of the Lenkom Theater Mark Zakharov (third from left in the photo) with theater artists

It so happened that the deeply intellectual director Anatoly Vasilyevich Efros was fired from the Lenin Komsomol Theater. And the theater actually remained in ruins and lost popularity. This temple of Melpomene needed to be saved.

And in 1973, Mark Anatolyevich Zakharov was appointed to the post of chief director of the theater, who has been steering this ship for 45 years.

Personal life

Mark Anatolyevich met his future wife, actress Nina Tikhonovna Lapshinova, while still studying at GITIS: she asked him to draw a caricature for a wall newspaper. And as she asked: “Well, please, Zakharov-Prizakharov.” This lexical talent captivated the then student Zakharov.
And they signed in Perm, where Mark Anatolyevich went on assignment. Unfortunately, in 2014, Nina Tikhonovna passed away.

Mark Zakharov with his wife Nina Lapshinova

In 1962, daughter Alexandra was born, who later became a film and theater actress Lenkom.

Not everyone knows that the famous theater and film director Mark Zakharov is also the author of the wonderful letters of the Red Army soldier Sukhov in the legendary “White Sun of the Desert.” This lyricism, delicate humor, eroticism and sadness were composed by him.

Theater productions

MSU Student Theater
1963 - “Dragon”
1964 - “The Career of Arturo Ui”
1966 - “I want to be honest”

Theater named after Vl. Mayakovsky
1969 - “Destruction”

Moscow Theater of Miniatures
1964 - “Have you really not noticed?”

Moscow Theater of Satire
1967 - “Profitable place”
1968 - “Banquet”
1970 - “Rise and Shine!”
1971 - “Temp-1929”
1972 - “Mother Courage and Her Children”
1973 - “Eccentric Man”

Theater named after Lenin Komsomol (since 1990 - Lenkom Theater)
1973 - “Avtograd-XXI”
1974 - “Til”
1975 - “Not on the lists”
1975 - “Ivanov”
1975 - “Clairvoyant”
1976 - “The Star and Death of Joaquin Murrieta”
1977 - “My Hopes”
1977 - “Horiya”
1977 - “A guy from our city”
1978 - “Thief”
1978 - “Revolutionary Study”
1979 - “Cruel Intentions”
1981 - “People and Birds”
1981 - “Juno and Avos”
1982 - “Chinar Manifesto”
1983 - “Optimistic Tragedy”
1984 - “We are conducting an experiment”
1985 - “Three Girls in Blue”
1986 - “Dictatorship of Conscience”
1989 - “Sage”
1989 - “Funeral Prayer”
1990 - “School for emigrants”
1993 - “Crazy Day, or The Marriage of Figaro”
1994 - “The Seagull”
1995 - “Royal Games”
1997 - “Barbarian and Heretic”
1999 - “Hoax”
2000 - “City of Millionaires”
2001 - “Jester Balakirev”
2002 - “The Executioner’s Lament”
2004 - “Va-Bank”
2006 - “City of Millionaires”
2007 - “Marriage”
2009 - “The Cherry Orchard”
2011 - “Peer Gynt”
2013 - “Jumping”
2015 - “Walpurgis Night”
2016 - “Day of the Oprichnik”

Filmography

Director of television plays and film plays
1969 - “Two comedies by Branislav Nusic”
1969 - “Schweik in World War II”
1975 - “Feast during the Plague”
1974 - “Rise and Shine”
1981 - “A guy from our city”
1981 - “In the name of the earth and the sun”
1988 - “Juno and Avos”
1988 - “Dictatorship of Conscience”
1988 - “Three Girls in Blue”
1993 - “Funeral Prayer”
2002, 2011 - “Jester Balakirev”
2004 - “Va-Bank”
2004 - “Sage”
2004 - “Juno and Avos”
2005 - “Crazy Day, or The Marriage of Figaro”
2005 - “Barbarian and Heretic”
2005 - “Royal Games”
2005 - “The Seagull”
2009, 2012 - “Marriage”
2011 - “The Cherry Orchard”
2012 - “Peer Gynt”
2014 - “Heavenly Wanderers”

Film director
1972 - “Train stop - two minutes”
1976 - “12 chairs”
1978 - “An Ordinary Miracle”
1979 - “That same Munchausen”
1982 - “The House That Swift Built”
1984 - “Formula of Love”
1988 - “Kill the Dragon”

Awards and titles

1977 - Honored Artist of the RSFSR
1980 - Order of Friendship of Peoples
1987 - USSR State Prize
1988 – honorary title “ National artist RSFSR"
1991 - honorary title "People's Artist of the USSR"
1992, 1997, 2002 - State Prize Russian Federation
1997, 2003, 2008, 2013 – Knight of the Order of Merit for the Fatherland, all four degrees
1998 - Order of St. Stanislaus
1998 - Golden Badge of Honor “Public Recognition”
2003 - Insignia “For Services to Moscow”
2003 - Medal of the 1st degree “For Labor and Fatherland”
2004 - Order "Patron"
2007 - Order “Patrons of the Century”
2008 - Order of St. Alexander Nevsky
2011 - Prize of the Government of the Russian Federation in the field of culture
2018 - Hero of Labor of the Russian Federation
Mark Anatolyevich Zakharov is the winner of several theater awards: International Stanislavsky Prize, Crystal Turandot, Prize named after. G. A. Tovstonogov, “Triumph”, “Star of Captivating Happiness”, theater prize named after. R. A. Bykova, “The Seagull”, “Musical Heart of the Theatre”, “Good Angel of the World”, “Russian of the Year”, “Theatrical Star”, “Person of the Year”, “Golden Eagle”, “Golden Mask”

Mark Zakharov is a Soviet and Russian theater and film director, actor, screenwriter and writer. An entire theatrical era is associated with his name, his performances became the talk of the town, and his films were dissected for quotes. But the beginning of his career did not promise such a bright continuation.

Childhood and youth

Mark Anatolyevich Zakharov was born in Moscow in 1933. The nationality of the director is Russian. During the revolution, Mark's father studied at the Voronezh Cadet Corps. The man supported the Red Army soldiers by joining the army and went a long way from Voronezh to Warsaw. After civil war worked in the military-physical education sector. The mother of the future director dreamed of becoming an actress. The woman studied acting from Yuri Zavadsky.

In 1934, the father of the family was arrested and charged with Article 58. For counter-revolutionary activities they are sentenced to 3 years in captivity and exile. The mother abandoned dreams of a theatrical future, leaving for her husband. Then my father was banned from entering Moscow. The mother, left without a husband, worked a lot. Mark often communicated with his maternal grandmother, Sofia Nikolaevna. The woman at that time worked as the head of an orphanage.

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Mark Anatolyevich Zakharov ( real name- Shirinkin). Born on October 13, 1933 in Moscow - died on September 28, 2019 in Moscow. Soviet and Russian theater and film director, screenwriter, teacher, professor. People's Artist of the USSR (1991).

Mother - Galina Sergeevna Bardina - graduated from Yuri Zavadsky's theater studio and taught in children's drama clubs. She died of a broken heart at 54 years old. My maternal grandfather was a white officer, fought in Kolchak’s army, then emigrated to Australia. His wife Sofya Nikolaevna Bardina decided to stay in Russia and worked as the head of an orphanage.

Father - Anatoly Shirinkin - studied in the Voronezh Cadet Corps, and with the beginning of the revolution he joined the Red Army. Subsequently, he did odd jobs. In 1934, he was arrested under Article 58 for three years, followed by deportation. Member of the Great Patriotic War, upon graduation he served in the Moscow garrison. In 1949 he was expelled again as a previously convicted person. Died at an old age. His paternal grandfather was a Russian nobleman, a revolutionary, engaged in journalism, and died at the front during the First World War.

His parents met in 1931.

“My father said that my grandfather was married to a Karaite Jew, therefore, I concluded, my father is half Jewish, and I am a quarter,” said Mark Anatolyevich. At the same time, he notes that, being a quarter Jewish, “he always considered himself Russian, although his father later admitted that initially, from the 13th century, there was also Tatar blood in the family.”

Since childhood, Zakharov became interested in theater and studied in theater groups of the Moskvoretsky House of Pioneers. By the way, the future film director studied with him.

After school, he applied to the Kuibyshev Moscow Institute of Civil Engineering, but did not score the required number of points in the exams.

At the insistence of the mother, who saw, according to Zakharov, " prophetic dream", he decided to enroll in theater university. In the summer of 1951, Zakharov became a student State Institute theater art named after A.V. Lunacharsky (GITIS, since 1991 transformed into RATI - Russian Academy of Theater Arts).

In 1955 he graduated from the acting department of GITIS, where his teachers were I. M. Raevsky, G. G. Konsky, P. V. Leslie).

Even in his second year, he began playing small roles on the stage of the Moscow theaters named after V.V. Mayakovsky and named after M.N. Ermolova.

Since the fall of 1955, he has been an actor at the Perm Regional Drama Theater.

He began directing in 1956 in an amateur student group at Perm University, and some of his students became famous. It was there, he said, that he felt that the students were interested in him, and that he could “hold the attention of a large group of people” for a long time and direct the production process.

Having moved to Moscow, Zakharov continued to direct: thanks to his wife, actress Nina Lapshinova, he got a job as the head of the drama club at the Machine Tool Institute.

In 1959, Zakharov got a job at the Moscow Gogol Theater, and in 1960 he moved to the Moscow Theater of Miniatures. The team at that time was led by the writer Vladimir Polyakov, under whose direct influence Zakharov “acquired a very valuable and necessary literary skill for a director.”

In 1964, Zakharov left the Theater of Miniatures, where he worked with his wife. At that time, Lapshinova supported his decision to start working as a director at the Moscow State University Student Theater. This theater became the “launching pad” from which Zakharov “entered professional directing.”

In 1965, Zakharov was invited as a director to the Moscow Theater of Satire. The play “Profitable Place” staged by him in 1967 based on A.N. Ostrovsky became his first directorial success on the professional stage.

In 1969, Zakharov became the director of the comedy and Grigory Gorin “Banquet” (he became the first working together director with Gorin, in the future - co-author of many of Zakharov’s performances). Both performances, despite their success with the public, were banned for ideological reasons. Zakharov noted that at that time his director’s profession was “hanging by a thread,” and only the help of Goncharov, who invited the director to stage Alexander Fadeev’s “Destruction” on the stage of the Mayakovsky Theater he headed, helped him stay in the profession.

In 1973, Zakharov was appointed chief director of the Moscow Lenin Komsomol Theater (since 1991 - Moscow Lenkom Theater). His productions on the theater stage: “Autograd XXI” (Yuri Vizbor, Zakharov, 1973), “Til” (Gorin, music by Gennady Gladkov, 1974), “Not on the lists” (Vizbor based on the work of Boris Vasilyev, 1975), “ The Star and Death of Joaquin Murietta" (Pavel Grushko based on the works of Pablo Neruda, music by Alexey Rybnikov, 1976), "Cruel Intentions" (Alexey Arbuzov, music by Gladkov 1979), "Juno and Avos" (music by Rybnikov, 1981), "Optimistic Tragedy "(Vsevolod Vishnevsky, 1983), "Three Girls in Blue" (Lyudmila Petrushevskaya, 1985), "Dictatorship of Conscience" (Mikhail Shatrov, 1986) - became events in cultural life countries. Many of these performances were called the highlight of Lenkom's repertoire for many years.

Zakharov’s artistic ideology, which responded to the spirit of the times, finally took shape in the late 1980s. Among theatrical works of this time, it is worth highlighting the performances “The Sage” (after Ostrovsky, 1989), “Funeral Prayer” (Gorin after Sholom Aleichem, 1989), “School for Emigrants” (Dmitry Lipskerov, 1990) “Crazy Day, or The Marriage of Figaro” (Pierre Augustin Beaumarchais, 1993), “The Seagull” (Anton Chekhov, 1994), “Royal Games” (Gorin - Sandor Kallosh based on the play by Maxwell Anderson, 1995), “Barbarian and Heretic” (based on the novel by Fyodor Dostoevsky, 1997), “Hoax "(Nina Sadur, 1999), "Jester Balakirev" (G. Gorin, 2001), "The Executioner's Lament" (on themes by Friedrich Dürrenmatt and Jean Anouilh, 2003), "All-in" (after Nikolai Ostrovsky, 2004), " Marriage" (according to Nikolai Gogol, 2007).

The success of Lenkom’s productions, in Zakharov’s own opinion, lay in the fact that the theater “strives to follow the great behests of the Moscow Art Theater teachers, but most of all it is afraid of boredom, when everyone already understands everything that is happening and, most importantly, what is about to happen.” Critics also agreed with him, noting that Zakharov’s performances “exist not according to the laws of dramatic theater, but according to the laws of the spectacle: everything that happens (or is simply located) on stage must be spectacular - the scenery, costumes, jokes, and songs".

Zakharov has said more than once that the main asset and pride in his life is the stellar galaxy of Lenkom actors. On the theater stage in different years played like this talented craftsmen scenes like, , Victor Rakov, Sergey Stepanchenko and others.

Mark Zakharov worked extensively and successfully in film and television, in particular, he filmed a number of plays by Evgeniy Schwartz and Grigory Gorin in the genre of fantastic parables.

Among his films are the favorites of moviegoers “The Twelve Chairs” (1976), “An Ordinary Miracle” (1978), “That Same Munchausen” (1979), “The House That Swift Built” (1983), “Formula of Love” (1984), "Kill the Dragon" (1988). Zakharov also acted as a screenwriter, author and co-author of scripts for such films as “ White sun Deserts" (1969; he authored the letters of the main character of the Red Army soldier Sukhov), "Sannikov's Land" (1972), "Star of Captivating Happiness" (1975) and others.

Mark Zakharov on the set of the film "The Twelve Chairs"

Social and political position of Mark Zakharov

In 1989, he was elected People's Deputy of the USSR from the Union of Theater Workers of the USSR. Member of the CPSU. IN live program “Vzglyad” he burned his party card.

In October 1996, he became a member of the Council for Culture and Arts under Russian President Boris Yeltsin, but in November 2001, when new president In Russia, Vladimir Putin issued a decree invalidating Yeltsin’s decree on the creation of the Council for Culture, a new body was created with the same name, Zakharov was not included in its composition.

In March 2014, he was among those who signed an appeal by cultural figures of the Russian Federation in support of the policy of Russian President V.V. Putin towards Ukraine. However, he later stated that he did not put his signature on the “fake of a provocative nature” and added that no one approached him with a proposal to sign a letter in support of Putin.

He was a confidant of the All-Russian Party " United Russia"in the elections State Duma VII convocation.

Pedagogical activity of Mark Zakharov

Mark Zakharov has been combining his work in the theater for many years with teaching activities. Back in 1983, the artistic director of the Moscow Academic Theater named after V.V. Mayakovsky A.A. Goncharov invited him to teach directing at GITIS.

Mark Zakharov is a professor at the Department of Directing at RITI. He is the secretary of the Union of Theater Workers of the Russian Federation, a member of the Union of Cinematographers of the USSR, academician of the Academy of Russian Television (1997), academician International Academy creativity (2000), academician Russian Academy cinematic arts "NIKA", academician National Academy cinematic arts and sciences of Russia, member of the Moscow SP (1999).

He died on September 28, 2019 in Moscow from pneumonia. Mark Zakharov on October 1 next to the graves of Stanislav Govorukhin, Oleg Tabakov and Leonid Bronevoy.

Mark Zakharov in the “Tonight” program

Mark Zakharov's height: 175 centimeters.

Personal life of Mark Zakharov:

Wife - (05/10/1932 - 09/10/2014), actress.

They married in 1956. In 1962, the couple had a daughter, Alexandra. In the cinema itself famous work Lapshinova became the role of the wife of Fyodor’s father in Mark Zakharov’s film “12 Chairs”.

Daughter - actress "Lenkom", People's Artist Russian Federation.

Filmography of Mark Zakharov (director):

1969 - Schweik in World War II (television play, together with Alina Kazmina)
1972 - Train stop - two minutes (with A. S. Orlov)
1975 - “Feast during the Plague”
1976 - Twelve Chairs
1978 - An Ordinary Miracle
1979 - That Munchausen
1982 - The House That Swift Built
1984 - Formula of Love
1988 - Kill the Dragon

Filmography of Alexander Mitta (screenwriter):

1969 - White Sun of the Desert (participated - letters of the Red Army soldier Sukhov)
1972 - Train stop - two minutes
1973 - Sannikov Land
1975 - Star of Captivating Happiness
1978 - An Ordinary Miracle
1987 - I have the honor
1988 - Kill the Dragon
1989 - Prisoner of the Chateau d'If

Filmography of Alexander Mitta (producer):

1970 - Do you know how to live? - episode